Approaches to Meaning in Music (Musical Meaning and Interpretation).pdf

Approaches

Meaning

Music

Edited by

Byron Almén and Edward Pearsall

Approaches to Meaning in Music

Musical Meaning and Interpretation

Robert S. Hatten, editor

Voicing Gender: Castrati, Travesti, and the Second Woman in

Early Nineteenth-Century Italian Opera

Naomi André

Neil Young and the Poetics of Energy

William Echard

Interpreting Musical Gestures, Topics, and Tropes: Mozart,

Beethoven, Schubert

Robert S. Hatten

Musical Meaning in Beethoven: Markedness, Correlation,

and Interpretation

Robert S. Hatten

Intertextuality in Western Art Music

Michael L. Klein

Is Language a Music? Writings on Musical Form and Signi¤cation

David Lidov

Musical Representations, Subjects, and Objects: The Construction of

Musical Thought in Zarlino, Descartes, Rameau, and Weber

Jairo Moreno

Expressive Forms in Brahms’s Instrumental Music: Structure and

Meaning in His Werther Quartet

Peter H. Smith

Music as Philosophy: Adorno and Beethoven’s Late Style

Michael Spitzer

edited by

BYRON ALMÉN

and

EDWARD PEARSALL

Approaches to

Meaning

in Music

INDIANA UNIVERSITY PRESS

Bloomington and Indianapolis

This book is a publication of

Indiana University Press

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of American National Standard for Information Sciences—Perma-

nence of Paper for Printed Library Materials, ANSI Z39.48-1984.

Manufactured in the United States of America

Library of Congress Cataloging-in-Publication Data

Approaches to meaning in music / edited by Byron Almén and

Edward Pearsall.

p. cm. — (Musical meaning and interpretation)

Includes bibliographical references (p. ) and index.

ISBN 0-253-34792-0 (cloth : alk. paper)

1. Music—Philosophy and aesthetics. 2. Music—Semiotics. 3. Music

theory—Criticism and interpretation. I. Almén, Byron, date II. Pear-

sall, Edward, date III. Series.

ML3845.A67 2007

781.1

1 2 3 4 5 11 10 09 08 07 06

7—dc22

2006006217

′

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