script25.pdf

TWIN PEAKS #25

(Episode 2.018)

Harley Peyton

Robert Engels

Scanned by runningdog.

Original formatting duplicated as closely as possible. For

clarification all duplicate pages removed. Special note: this is a

faithful duplication that includes the original spelling, formatting and

series related errors.

First Draft/Distribution to Dept. Heads: January 9 ,1991

Second Draft/General Distribution: January 15, 1991

Revised: January 16, 1991 - BLUE

Revised: January 21, 1991 - PINK

Revised: January 22, 1991 - GREEN

Revised: January 23, 1991 - YELLOW

Revised: January 24, 1991 - CHERRY

Lynch/Frost Productions, Inc.

7700 Balboa Boulevard

Van Nuys, CA 91406

(818) 909-7900

Revised 1-21-91, PINK

#2.018

ACT ONE

FADE IN:

1. INT. BOOKHOUSE - NIGHT

Truman in a cot turns restlessly in his drunken sleep. He rolls over. A naked woman snuggles

close to him. In Truman's dreams it is Josie.

Josie -

TRUMAN

Truman kisses the woman who responds. It is JONES. She moves under the sheets.

Massaging. Whispers.

JONES

Do you like that?

TRUMAN

Yes, Josie. Yes.

Jones' hands slide under him - massaging. Then she rolls over on top of Truman who responds

with passion. The wheeze of the wire from the BRACELET GAROTTE wakes Truman. She

tightens the strangle line around his neck while she sits on top of him.

Jones bends over him and kisses him passionately. Truman uses this moment to flip her off

him. But at the same time Jones pulls the magnesium wire tighter. Truman fights to breathe

and free her hands from the garotte.

ANOTHER ANGLE

Truman manages to stand. Jones wraps her legs around him. Truman tears at her trying to get a

grip. Carrying her to a wall, Truman pounds her again and again against it. Jones is nearly

unconscious. Finally, her hands drop away from him. Truman keeps pounding, about to kill

her. Then stops himself. Looks down at the naked woman lying below him.

CUT TO:

JOHN JUSTICE WHEELER pores over some books, maps, and in elaborate model for a

complicated irrigation system. A knock on the door.

FROM BEHIND THE DOOR

Room service.

It's open.

WHEELER

The door opens. Wheeler remains completely absorbed in what he is doing. Not noticing

that it is AUDREY HORNE who brings in his breakfast. Without looking up he retrieves a

money clip to give her a tip. Then notices it is Audrey. Surprised and pleased.

(CONTINUED)

2. INT. GREAT NORTH

#2.018

Revised 1-21-91, PINK

2. CONTINUED:

WHEELER

Audrey.

AUDREY (seductress relapse)

I trust your sleep was untroubled? Here at the Great

Northern, we aim to make your stay as comfortable and

enjoyable as we can - we take the concept of room

service very seriously -

Wheeler comes over to the bed, gently puts a finger to her lips to silence her.

WHEELER

Audrey ... did you know your grandfather?

(fingers still on her lips, becoming caress)

Colorful old guy, but the wisest man I've ever met. He

always used to say, "If you bring a hammer, you better

bring nails."

AUDREY (taking his fingers in hand)

What's that supposed to mean?

WHEELER

It means the next time you come into my room and sit

on my bed and carry on like this you had better be ready

to finish whatever it is you're trying to start.

AUDREY

Maybe I'm ready now.

WHEELER (simply)

Then be yourself.

AUDREY

This is myself.

WHEELER

You're a beautiful, intelligent, young woman. You don't

have to sneak in here and flirt like a high school girl.

Audrey fixes Wheeler with an challenging stare. Then:

AUDREY

(mimicking Wheeler)

"If you bring a hammer, you better bring nails."

(beat)

I'm not the only one who flirts.

WHEELER (beat, he smiles)

You're right. I stand corrected.

(CONTINUED)

#2.018

Revised 1-21-91, PINK

2. CONTINUED:(2)

AUDREY

This could get confusing.

Why?

WHEELER

AUDREY (with humor)

Well, if I'm always worrying about being myself, and

you're always worrying, and I'm checking to see if you're

being yourself, but then you've got to keep an eye on you

too...

WHEELER

We'll be lucky if we can carry on a simple conversation.

Yep.

AUDREY (her point exactly)

WHEELER (beat, he moves closer)

Audrey, I have a plan. It involves a plane ride at sunset

and dinner for two.

AUDREY

What? When?

WHEELER

The sunset part or the dinner part?

AUDREY (she moves closer too)

I've got to go to the library, and my father wanted to

meet with me some time today -

WHEELER

If you're busy I'll understand...

AUDREY

Yes. I mean yes I'm busy. And yes I'll go.

They kiss.

CUT TO:

3. INT. SHERIFFS STATION, INTERROGATION ROOM DAY

Truman exits the room where Jones sits at the table, meets Cooper in the hallway.

Anything?

COOPER

TRUMAN

Not a word. Wants to speak to the South African

counsulate.

(CONTINUED)

#2.018

3. CONTINUED:

COOPER

My guess would be there's a half-dozen countries

looking to extradite her.

TRUMAN

Why would Eckhardt want me dead?

COOPER

Sexual jealousy.

TRUMAN

(as if he hadn't considered it)

Oh yeah.

COOPER

You think he needed a more rational reason? It's good

to have you back, Harry.

TRUMAN

(a hell of a hangover)

Take me a day or so to get my sea legs.

COOPER

To be honest, Harry you look like hell. Maybe you

ought to recuperate at home.

TRUMAN

All I need's some coffee and maybe some food.

Cooper stops him.

COOPER

Sure cure for a hangover, Harry. You start with a nearly

frozen, unstrained glass of tomato juice. Drop a couple

of oysters in there and chug it down. Breathe deeply.

Next a heaping mound of sauteed sweetbreads with

chestnuts and Canadian bacon. Finally some biscuits and

a bucket of gravy, and here's where it gets tricky, you're

gonna need some anchovies -

Truman, growing green, stops him outside the men's room door.

Excuse me.

TRUMAN

Truman rushes into the bathroom. Cooper, having acheived the desired stomach-pump effect,

gives a thumbs-up.

CUT TO:

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