G.Pierce. Narratology. The Form and Function of Narrative.pdf

(24273 KB) Pobierz
N arratology
The Form and Functioning of Narrative
JANUA
LINGUARUM
Series Maior 108
Studia Memoriae
Nicolai van Wijk Dedicata
Gerald Prince
edenda cural
C. H. van Schooneveld
Indiana University
Mouton Publishers
Berlin' New York ' Amslcrdarn
771525675.021.png 771525675.022.png 771525675.023.png 771525675.024.png
. , .
,
Narratology
The Form and Functioning of Narrative
JANUA
LINGUARUM
Series Maior 108
Studia Memoriae
Nicolai van Wijk Dedicata
Gerald Prince
edenda curat
C. H. van Schooneveld
Indiana University
Mouton Publishers
Ikrlin . New York' Amsterdam
771525675.001.png 771525675.002.png 771525675.003.png 771525675.004.png 771525675.005.png 771525675.006.png 771525675.007.png 771525675.008.png 771525675.009.png
 
!
I
Contents
Introd uction
1
Chapter One
Narrating
The Narrator
7
I. Signs 0 f the 'I'
8
2.
Intrusiveness, Self-Consciousness, Reliability, Distance
10
3.
Na rrator-Character
13
4 . Multiple Narrators
15
T he Narratee
I . Signs 0 f the 'you'
2.
16
17
20
21
22
23
24
26
27
29
31
32
33
34
Narratee-Character
Library of Congress Cataloging in Publication Data
3.
Knowledge
Prin ce, Gera ld .
Narrato logy: th e for m and funtioning of
narrative.
4.
Change
5.
Individual Narratee and Group Narratee
6.
Hierarchy of Narratees
(Janua Linguarum. Series Maior ; 108)
Bibli ography: p.
In clu de s ind ex.
1. Di sco urse analysis, Narra tive. I. Title.
11. Seri es.
P302. P75
The Narration
I . Po sterior, Anterior and Simultaneous Narration
2.
Temporal Distance
808.3 '0014 1
82-64 15
3.
Duration
ISBN 90-279-309()"'2
AACR2
4.
Space
5.
Origin, Medium and Interactio n with the Narrator
6.
Mu ltiple Narrations
ISBN 90 279 3090 2
The Presentation of the Narrated
I .
35
36
41
47
© Copyrigh t 1982 by Walt er de Gr uytcr & Co., Berlin . 1\11 rights rese rve d. inctudin g tho se
of tran slat io n into foreign languages. N() purl uf thi .. book ma y be I'epro(]m:ed tn :lilY
form - by pho toprint , microfilm , or any oth er means no r trnllSlIIllI cd nor tran slrll cd
int o u machine lan8ua~c with ou t wri tt en I\CII1II~Klon tl ll ll! the IIl1hll shl'1'. 'l'YPCl-oct tln R:
Grcs tun (;rnph ics . 1\ bln~dun, I' rl llt l!!)! : DI IH'kl·/t,j I11111 111111111\1, 11 (11 1111 , 111Iltlln~:
Liideril /. &. 1I11\1I~r 1I\1f.'h~{\WI\,ht\ (:lIlhll 1' 1 III It' ll ~II ( :\'/ /lllI lly .
"
Ex pli cit and Implicit Information
2.
Presupp osed Information
3.
Modes of Discourse
1111111 11 K
III I Kfl
771525675.010.png 771525675.011.png 771525675.012.png 771525675.013.png 771525675.014.png 771525675.015.png
Contents
vii
Contents
vi
1 11
Textual Constraints
48
50
54
4.
Order
1 15
128
132
Metanarrative Signs
5.
Point of View
6.
Speed
The Reader
Legibility
Chapter Two
Narrated
62
64
64
66
66
67
68
70
71
73
74
74
75
Events
Chapter Five
Narrativity
Organizations
1.
148
150
Event Description
Temporal Relation
2.
Spatial Relations
Wholeness
3.
Causal Relations
155
The Orientation of Narrative
4.
Modifications
158
The Point of Narrative
5.
Relevance
6.
Aggregates of Situations and Activities
163
Conclusion
7.
Character
8.
Setting
165
Notes
9.
Theme
10.
Functional Relations
175
Bibliography
11.
Multiple Sequences
181
Subject Index
Chapter Three
Narrative Grammar
81
83
83
The Structural Component
I.
183
Author Index
Kernel Narratives
2.
Rewrite Rules and the Structure of Kernel Narratives
3.
Generalized Transformations and the Structure of
Non-Kernel Narratives
88
93
95
97
The Logical Component
The Narrating Component
I. Singulary Transformations
The Expression Component
100
Chapter Four
Reading Narrative
The Code of Written Narrative
lOS
Maximal Reading , Minimal Reading, and Narratively Relevant
Qu es tion s
109
771525675.016.png
 
r
Introduction
In his " An Introduction to t he Structural Analysis of Narrative,"
Roland Barthes writes:
There are countless forms of narrative in the world. First of all, there is a
prodigious va,fiety of ge nres, each of whic h branches ou t into a variety of
media, as if all substances could be relied upon to accommodate man's stories.
Among the vehicles of narrative are articulated language, whether oral or
written, pictu res, still or moving, gestures, and an ordered mixture of all these
substances~ narrative is present in myth , lege nd , fables , tales, short stories,
epics, history , tragedy, drame [suspense drama] , comedy, pantomim e, pain t-
ings (in Santa Urs ula by Ca rpaccio , fo r in stan ce), stained-glass win dows,
movies, local n ews, conversation. Moreover, in th is infinite variety of forms , it
is present at al l times, in all places, in all societies ; indeed narrative starts with
the very history of mankind; there is not, there has never been anywhere, any
people without narrative; all classes, all human groups have th eir stories, and
very often those stories are enjoyed by men of different an d even opposite
cultural backgrounds: narrative remain s largel.y unconcerned with good
or bad li te rature. Like life itse lf. it is there , in ternational, transhisto ri cal.
transcultural. 1
Narrative , indeed universal and infinitely varied, may be defined
as the represe ntation of real or fictive even ts and situations in a
time sequence.
Note th at, although many - not to say all - repre sentations can
be said to be linked to the dim ensio n of time , not all of th em con-
stitute narratives. In
( I)
Ro ses are red! Violets are blu e! Suga r is sweet! And so
are you ,
(2)
Roses arc rcd
771525675.017.png 771525675.018.png 771525675.019.png 771525675.020.png
 

Plik z chomika:

Inne pliki z tego folderu:

Inne foldery tego chomika:

Zgłoś jeśli naruszono regulamin