Alex Wilson - Dry Frugal With Death Rays.pdf

(121 KB) Pobierz
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01//EN" "http://www.w3.org/TR/html4/strict.dtd">
Dry Frugal With Death Rays
Wilson, Alex
Published: 2008
Type(s): Short Fiction, Science Fiction
Source: http://futurismic.com
1
872627769.001.png
About Wilson:
Alex Wilson is a writer and actor in Carrboro, NC. His fiction, comics,
and poetry have appeared/will appear in Asimov’s, The Rambler, Shim-
mer, The Florida Review, Weird Tales, and elsewhere. He runs the online
audiobook project Telltale Weekly.
Copyright: Please read the legal notice included in this e-book and/or
check the copyright status in your country.
Note: This book is brought to you by Feedbooks.
Strictly for personal use, do not use this file for commercial purposes.
2
"Futurismic is a free science fiction webzine specialising in the fact and
fiction of the near future - the ever-shifting line where today becomes to-
morrow. We publish original short stories by up-and-coming science fic-
tion writers, as well as providing a blog that watches for science fictional
news stories, and non-fiction columns on subjects as diverse as literary
criticism, transhumanism and the philosophy of design. Come and ima-
gine tomorrow, today."
This work is published using the following Creative-Commons license:
Attribution-Noncommercial-No Derivative Works 3.0 Unported You are
free:
• to Share — to copy, distribute and transmit the work
Under the following conditions:
• Attribution. You must attribute the work in the manner specified
by the author or licensor (but not in any way that suggests that
they endorse you or your use of the work). Attribute this work:
What does "Attribute this work" mean? The page you came from
contained embedded licensing metadata, including how the creat-
or wishes to be attributed for re-use. You can use the HTML here
to cite the work. Doing so will also include metadata on your page
so that others can find the original work as well.
• Noncommercial. You may not use this work for commercial
purposes.
• No Derivative Works. You may not alter, transform, or build upon
this work.
• For any reuse or distribution, you must make clear to others the li-
cense terms of this work. The best way to do this is with a link to
this web page.
• Any of the above conditions can be waived if you get permission
from the copyright holder.
• Nothing in this license impairs or restricts the author's moral
rights.
3
The ergonomic cubicle gel came up to Sal’s chin. Five hours of immer-
sion had left the pads of his fingers wrinkled and slimy. He couldn’t
wipe his eyes without making it worse. It was the most important morn-
ing of his life, and he was stuck in his cubicle corral with a computer that
insisted he wasn’t.
“And you’ve looked, right?” Tech support asked, clearly siding with
the computer on this one. “At the latch? You’ve tried turning around and
looking to see whether it’s open or closed?”
“Yes,” Sal said. “I’ve looked.” He tried emphasizing the urgency with
his arms. In training videos, they iterated how body language carried
over into the voice, even though Sal found sloshing around in gel more
distracting than helpful on client calls.
A relaxed safety harness–running just taught enough from the stuck
ceiling latch to chafe Sal’s armpits–prevented drowning no matter how
long he was stuck there or how often he needed to rest his head on the
viscous surface of the gel. So he was in no immediate danger, although
everybody’s cheerful agreement on this last point was enough to give
him pause.
“Have you tried to go through it?”
“Go through the glass?” Sal said.
“Sure, sure. Like a bird. Maybe someone’s just cleaned the latch, and
it’s hard to tell whether it’s open or closed.”
“Ah. I can see how that’d be helpful if the computer said it
was closed and I was convinced it was open, even though the opposite is
true. Thank you.”
“Sure, sure. Anything else we can help you with?”
So Sal spent the morning banging on the insides of the ceiling glass,
when he should have been trying to sell lavender-lined smokestack pipe
to factories. Or–and this was just one of those crazy ideas that hemmed
him out of the promotion pool–he should have been at the hospital with
his wife Bethany, delivering their brand new daughter on this, most im-
portant of mornings.
He tried to get his fellow salespeople on the phone to help. But when
the lines chirped low to indicate an internal call, even Sal would like as
not assume it was a manager and let it drop to voicemail. The import-
ance of seeming busy was second only to sales numbers at Lavender Yes,
LLC.
4
What shouldn’t have been so important was who eventually freed Sal
from his cubicle. It was Geneboy, on his way to the cafeteria at exactly
noon. Geneboy, with his perfectly dry hair and clothes even after soak-
ing for four hours in his own flavor of gel. Geneboy, the managerial fa-
vorite not only because he sold the most lavender pipe and never
answered internal calls, but also because once, two years ago, he con-
vinced some Indiana town to pass an ordinance requiring all commercial
factories to be outfitted with Lavendar Yes product. The townspeople
were mellower, thanks to the calming, unprovable effect of lavender-
scented smog! Crime rate was down in ways that were impossible to
measure! Sure, sure! All was wonderful in that progressive, one-factory
community, thanks to their annoyingly arid Geneboy.
But that was all fine. It meant nothing to Sal, who still had that ap-
pointment to welcome his daughter into the world. He swallowed his
pride (along with a bitter drop of the clear gel), pulled himself up by his
harness, and pressed his face against the cubicle glass. He pointed to the
exterior latch for Geneboy’s benefit.
Geneboy’s eyes flashed across Sal’s, but the drier man did not stop to
help his colleague at this time. No, he walked right past the latch, prac-
tically stepping on Sal’s face in deliberate aloofness. On the big white-
board at the hall’s end, he marked four sales under his column for the
first half of the day. Then, and only then, he returned to Sal’s cubicle. His
smile was shiny and recessed behind that chiseled chin.
“Was that you phoning?” Geneboy said. He kicked open the latch
without bending down. “Man, I figured it was you. Thought you wanted
to talk about movies or some other stupid thing.”
The mold of cubicle gel jiggled as Sal pulled himself up, out, and into
the hallway. He grabbed his towel from the rack. He ran his fingers
through wet hair that stuck leech-like to his skull.
“When have I ever wanted to talk anything with you?” Sal said. Con-
versations with Geneboy were less often initiated by Sal than they were
thrust upon him.
“Well,” Geneboy said, “you’re always going on about something,
Paul.”
“It’s Sal.”
“What’s this now?”
Sal slouched his neck forward. He was ten centimeters shorter than
Geneboy, but slouching made him feel like he at least had a choice in the
5
Zgłoś jeśli naruszono regulamin