Play the Dutch (McDonald,2010).pdf

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Neil McDonald
play the Dutch
an opening repertoire for Black based on the Leningrad Variation
EVERYMAN CHESS
Gloucester Publishers pic www.everymanchess.com
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First published in 2010 by Gloucester Publishers plc ( formerly Everyman
Publishers plc ) , Northburgh House, 10 Northburgh Street, London EC1V OAT
Copyright © 2010 Neil McDonald
The right of Neil McDonald to be identified as the author of this work has been
asserted in accordance with the Copyrights, Designs and Patents Act 1988.
All rights reserved. No part ofthis publication may be reproduced, stored in a
retrieval system or transmitted in any form or by any means, electronic,
electrostatic, magnetic tape, photocopying, recording or otherwise, without prior
permission of the publisher.
British Libra ry Cataloguing-in-Publication Data
A catalogue record for this book is available rom the British Library.
ISBN: 978 1 85744 641 8
Distributed in Noth America by The Globe Pequot Press, P.D Box 480,
246 Goose Lane, Guilford, CT 06437-0480.
All other sales enquiries should be directed to Everyman Chess, Northburgh House,
10 Nothburgh Street, London EC1V OAT
tel: 020 7253 7887 fax: 020 7490 3708
email: info@everymanchess.com; website: www.everymanchess.com
Everyman is the registered trade mark of Random House Inc. and is used in this
work under licence rom Random House Inc.
Everyman Chess Series
Chief advisor: Byron Jacobs
Commissioning editor: John Emms
Assistant editor: Richard Palliser
Typeset and edited by First Rank Publishing, Brighton.
Cover design by Horatio Monteverde.
Printed and bound in the US by Versa Press.
Contents
Preface
5
I ntrod uction
7
1 Gambit Lines and Early Oddities
16
2 White Plays 2 b C3
3 7
3 White Plays 2 .gs
52
4 White Avoids an early g2-g3 against a Leningrad Set-up
65
5 Sidelines in the Leningrad Variation
87
6 The Main Line Leningrad: 7 b c3 c6
115
7 The Main Line Leningrad: 7 b c3 b c6
140
8 The Dutch versus 1 b f3 and 1 c4
155
Index of Variations
1 7 2
Index of Games
17 4
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Preface
It is an appealing feature of the Dutch that 1 .. .fS can be played against virtually
any opening move apat rom 1 e4.
However, this is slightly misleading if it suggests that you only have to learn
one basic sequence of moves ater 1 .. .fS and then you are ready for anything. In
reality the Dutch leads to a range of pawn structures, each of which requires its
own special treatment. For example, this book is built around the Leningrad
Dutch, but in many cases Black will do best to set up a Stonewall centre with ... d7-
dS, rather than play the 'characteristic' ...d7-d6 Leningrad move.
Likewise ater 2 JC3, 2 tgs and other early divergences by White, the pawn
structure has little, or sometimes nothing at all, in common with the traditional
Leningrad Dutch. Thus at times the centre is characteristic of the Queen's Gambit;
at other times the King's Indian; and ater 2 tgs it feels like a strange Sicilian
Hedgehog!
So more preparation is required to play the opening than is apparent at first
glance, when 1 . . .fS appears such a great labour-saving device. On the plus side you
are going to have more un playing the Dutch - its variety means you aren't going
to grow bored of it any time soon.
In view of the range of possibilities ater l...fS, can we say that there is any one
strategic theme that runs through the opening? I find the varied adventures of
Black's f-pawn the most intriguing aspect of the opening. The pawn is cast for­
ward irretrievably into the world on move one, and ends up performing varied
5
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