lord of the flies.txt

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BARRON'S BOOK NOTES
WILLIAM GOLDING'S
LORD OF THE FLIES

^^^^^^^^^^WILLIAM GOLDING: THE AUTHOR AND HIS TIMES

William Golding was born in 1911 and grew up in the years before World War II. That war changed thinking about man's essential nature. Before the war people generally believed that man was essentially good-hearted and society often was evil. However, the atrocities of the war made it impossible for many people to believe any longer in man's basic innocence. You can see the influence of this shift in thinking in Golding's works.

Some of Golding's favorite childhood authors were Edgar Rice Burroughs (Tarzan of the Apes), Robert Ballantyne (Coral Island), and Jules Verne (Twenty Thousand Leagues Under the Sea). Each of these books portrays man as a basically good creature who struggles to avoid the evils of society.

Golding yearned to be like the characters in the fables and stories he read. The island setting for Lord of the Flies and the names Ralph, Jack, and Simon have been taken from Coral Island. "They held me rapt," Golding once said of the books he read. "I dived with the Nautilus, was shot round the moon, crossed Darkest Africa in a balloon, descended to the center of the earth, drifted in the South Atlantic, dying of thirst.... It always sent me indoors for a drink-the fresh waters of the Amazon."

At about the age of twelve Golding decided to be a writer. He planned a twelve-volume work on trade unions but could never complete the enormous undertaking. With his love of reading and his early attempts at writing, Golding of course studied literature in college.

When World War II began in 1939, Golding joined the Royal Navy. He saw action against German warships, he was in antisubmarine and antiaircraft operations, and in 1944 he was involved in the D-Day naval support for the landings on the beaches of Normandy. He continued to read the classics even as he acquired a reputation for loving tense combat. And his war experiences changed his view about mankind's essential nature. Because of the atrocities he witnessed, Golding came to believe that there was a very dark and evil side to man. "The war," he said, "was unlike any other fought in Europe. It taught us not fighting, politics or the follies of nationalism, but about the given nature of man."

After the war Golding returned to teaching in a boys' school, which may explain why the characters in Lord of the Flies seem so real. Ralph, Jack, Piggy, Simon, and the other boys are based on the faces and voices of children Golding knew. Thus his reading of the classics, his war experience, and his new insight into humanity laid the groundwork for his writing.

His first three novels were very much like novels he had read, and he called them the "rubbish" of imitation. They have never been published. His fourth novel was Lord of the Flies, and when it was finally accepted for publication in 1954, it had been turned down by more than twenty publishers.

The book was not considered a success at first. It was not until the 1960s, when it had captured the imaginations of college and high school students, that critics began to acknowledge Golding's talent. Even now there are differing opinions about the novel. Some believe Golding's writing is bombastic and didactic, that he does not allow you to have any opinion but his. Other critics see him as the greatest English writer of our time. You will find that part of the fun of his book lies in deciding for yourself what you think.

Golding has continued to write in spite of the controversy over his work. It would seem that the criticism, rather than frightening him, only challenges him to continue writing. In the same way, Golding challenges readers to think about what he considers most important: the true nature of human beings.

The three novels that followed Lord of the Flies--The Inheritors, Pincher Martin, and Free Fall--brought him more success, while the controversy over his talent, or lack of it, continued. Eventually Golding stopped teaching to write full time. In 1983 Golding was awarded the Nobel Prize for Literature, which is given a writer not for one particular volume but for the body of his work. This was the recognition and respect that many believe he had deserved all along.


^^^^^^^^^^LORD OF THE FLIES: THE PLOT

A group of boys has been dropped on a tropical island somewhere in the Pacific Ocean, their plane having been shot down. A nuclear war has taken place; civilization has been destroyed.

Ralph, a strong and likable blond, delights in the fact that there are "no grownups" around to supervise them. The boys have the entire island to themselves.

Piggy, who is fat, asthmatic, and nearly blind without his glasses, trails behind as Ralph explores the island. When they find a white conch shell, Piggy encourages Ralph to blow on it. Ralph sounds the conch and the other boys appear.

Among them is Jack Merridew, marching the boys' choir, military style, in the blazing sun. There are also the twins, Sam and Eric. Simon, short and skinny with black hair, joins the group. Many other boys who are never given names straggle in.

The group elects Ralph as their leader even though Jack would like to be chosen. Ralph, Simon, and Jack explore the island. It's hard for them to believe they're really on their own, but once they're convinced, Jack decides to be the hunter and provide food. A first attempt at killing a piglet fails.

When the conch calls the group together again, they talk about the need for hunters. A small boy with a mulberry-colored birthmark on his face says he is afraid of a snakelike beast in the woods. Is there really such a beast? The boys can't agree. However, the fear of the beast, of the dark, and of what is unknown about the island is very real and an important part of the story. Ralph convinces everyone that they need a fire for a signal in case a ship passes the island.

Starting a fire is impossible until they use Piggy's glasses. Then the boys often abandon the fire to play, finding it hard work keeping the fire going.

Jack becomes more and more obsessed with hunting and the desire to kill. He says that "you can feel as if you're not hunting, but--being hunted, as if something's behind you all the time in the jungle." Jack and his hunters paint their faces to look like masks. Hiding behind the masks, they are able to slaughter a pig. Afterward Jack and the hunters reenact the killing, one of the boys pretending to be the pig.

Again the fear of the beast is mentioned, and the littlest boys cry about their nightmares while the big ones fight about the existence of the beast. Simon says that perhaps the beast is "only us," but the others laugh him down. Their fears mushroom when the twins, Sam and Eric, see something that does indeed look like the beast. Jack and Ralph lead an exploration and come back convinced there is a beast. Jack decides he no longer wants to be part of Ralph's tribe. He leaves, inviting the other boys to follow him.

In spite of their growing terror, Jack leads the hunters into the jungle for the slaying of another pig. He places its head on a stake, much like a primitive offering to the unknown beast. Everyone but the twins and Piggy abandon Ralph to attend Jack's feast of roast pig.

Alone in the woods, Simon has a seizure and talks to the pig's head on the stake. In Simon's hallucination the head becomes the Lord of the Flies and says, "Fancy thinking the Beast was something you could hunt and kill! You knew, didn't you? I'm part of you?"

A great storm builds over the island, and Simon starts back to where the other boys are. As he stumbles through the jungle, he discovers the beast that the twins thought they saw. A dead man who had parachuted from his plane is caught on the rocks. Terrified and sickened by the sight, Simon loosens the lines and frees the dead man, then starts off to tell the others there is no beast.

In the meantime, Ralph has given in and joined Jack's feast, Piggy and the twins follow. They share roast pig and find that the hunters are now treating Jack as a god, serving him and obeying his commands. Ralph and Jack argue over who should be leader. Jack claims the right because he has killed the pig, but Ralph still has the conch. Instead of fighting, Jack suggests they do their pig-killing dance. They begin to chant, "Kill the beast! Cut his throat! Spill his blood!" as the storm overhead gathers force. Piggy and Ralph join the circle to dance with the others. Lightning cuts the sky apart.

When Simon appears, the boys have ceased to be boys playing a game and have become a dangerous mob. They attack Simon, calling him the beast and killing him with their hunting sticks. Only then does the storm finally break and the rain begin to fall. During the night the tide carries the dead boy out to sea.

The next night Jack and two hunters attack Ralph and Piggy and steal Piggy's glasses. Nearly blind without his glasses, Piggy decides that he and Ralph can do nothing but ask Jack to give them back. Sam and Eric, the only others who have remained with Ralph, go along. They take the conch with them.

The fight that has been building between Jack and Ralph over who should be leader finally breaks out. The hunters drag the twins off. A giant boulder is hurled over a ledge, demolishing the conch and striking Piggy. Flung over the cliff, Piggy dies when he hits the rocks below. Jack declares himself chief.

The next day Jack and the hunters plan to cover the island looking for Ralph. He will be stalked in much the same way that Jack has gone after the pigs. Ralph hides and runs, becoming more and more a cornered animal. To smoke him out, a fire is started that quickly spreads over the island.

At the very last moment, wh...
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