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The Drink Tank Issue 221
garcia@computerhistory.org
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The cover and the photos with my
article on Montreal are all from The Lovely &
Talented Linda Wenzelburger. Thereʼs some art
in here from Taral too! I love that. The cover is
a photo of a piece from Chihuly...or howrever
you say it. Itʼs an amazingly gorgeous piece of
glass work. The photo on this page is also of
the same piece. Itʼs amazing the way the piece
changes when youʼre standing in a room with it.
Iʼve seen a lot of his pieces, there are several at
the SFMoMA, where Linda and I spent the day
off I took on the Friday before we left for
Montreal. Iʼd never been and while the Rich-
ard Avedon exhibit was what brought me in,
the Chuhily pieces really hit me strong.
Also, they had a Tom of Finland
piece. He and Aarno Sarninen are the two
best known FInnish art-types...unless you
count hockey. Then you have to add Teppo
Numinen.
Iʼm not going to say much about the
Hugos, though a lot of folks might expect
me to comment on Best fanzine. I wonʼt
comment, except for one thing: the Hugo
Voters suck.
Yes, I am among them, and saying
such things may well assure that I never win,
or even get nominated for a Hugo again, but
thereʼs a single award that made the bile rise.
Thatʼs Best Fan Artist. I love Frank Wu. I
really do. I love Frankʼs art, Iʼve been lucky
enough to run many of his pieces over the
years and he was the first fan artist to really
let me run his work. I think I ran the most of
his pieces over the last year. Iʼve voted for
him in the past, but this year...
Taral had everything going for him.
He was the Fan Guest of Honor, he had hun-
dreds of pieces showing up all over the place
over the last year, he wrote articles for pretty
much every zine out there and he was amazing.
He ended up placing fourth.
Frank won.
What does it take to win a Hugo? There
was no one who did as much great art last year
as Taral. He did pretty much all the art for An-
ticipation and he didnʼt manage to do any better
than 4th? Thatʼs not at all right. He was the best
fan artist over the last year, I canʼt think of a
year where anyone had such an impact, and yet
he ended up in fourth. Sucks. Hopefully, all the
exposure he got this year will allow him to win
next year, much the same way Brad Foster won
Best Fan Artist a year after he exploded with his
fantastic colored pieces after he took up Photo-
shopping his pieces. I hope so. Nothing both-
ered me more than Taral not winning.
This issue has a Taral article and some
more pieces from him. Heʼs a mensch.
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My Trip to Montreal
the airport and caught a taxi into town. Theyʼve
got a standard price for all trips into Montrealʼs
Downtown: just less than 40 bucks. Iʼm glad to
say that the trip into town was fast, though as
my luck would have it, the cab driver spoke no
English. This was odd, but I guess I understood
him just about as well as any cab driver Iʼve
ever had in the US.
We got to the Travelodge about 8pm.
Perfect timing because you should never have
deal with traffic in a new town. We checked in,
every greeting us with French. I let Linda do
all the talking. I know the simple words that
you need to know, but I couldnʼt understand a
word from any of the Quebecois. The accent
also made their English difficult for me to trace.
I have those problems. It was hard for me in
England even to deal with the accents. This is a
problem I will probably always face.
We took our keys and headed up to
room 501. We got off the elevator and it was the
closest room. This was good. I opened the door
and we walked in.
You are in a small room- There is one
obvious exit.
To give you a complete idea, the room
was exactly 13 feet by 10 feet…including the
bathroom. Thatʼs right: 130sqft. As a gentleman
of 5ʼ10 inches and 260 lbs. I can say that it felt
like a dog-legged straightjacket. It was tiny;
easily the smallest hotel room Iʼve ever had. It
wasnʼt that bad for me and Linda, but Jason was
set to come up on Wednesday. It was going to
be interesting. We set our stuff out, and to keep
from feeling too much like a bear in the old
Bronx Zoo, we headed out into the night.
WorldCon 2009 was smart enough to
If you want to hear about the con, youʼll
have to go to Science Fiction San Francisco and
read News and Notes. Here Iʼm going to talk
about the city of Montreal and my trip there,
without talking too much about the con. I usu-
ally just fly in the day of, check-in to the hotel
and then head right off to registration to pick up
my program book and programming schedule
thatʼs never there. Thatʼs how it usually works,
but this time, The Lovely & Talented Linda
and I arrived a couple of days early and took
in the city. We got into Montreal after chang-
ing planes in Toronto, made our way through
put their con on at the same time as the Fran-
cofolies, a French music festival. There were
several stages set-up along Rue de Sainte
Catherine. They seemed to rotate with one stage
running at a time. There was a pretty good
band up on one of the stages and we walked by,
enjoying their sort of funky-thrashy metal. It
was good stuff. We just walked around and saw
the way they laid out the festival. Here I was in
the belly of the beast: the depths of the French-
speaking Montreal where I heard literally not
one word of English spoken save by Linda and
I. It was hard to be surrounded by people who
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donʼt talk my talk.
There were dozens of restaurants on the
street, but the ones within the festival area were
swamped. It was getting close to 9, so a lot of
places were closing. We went to a place called
Amirʼs, a chain as I understand it. They were a
gyros place and I looked over their menu and
saw the thing Iʼd most been wanting: poutine!
I had one with chicken on it. It was great. The
fries were good, but the gravy was fantas-
tic. The cheese curds were awesome, and the
chicken added a great and very flavorful note.
It was the worst poutine I had on the entire trip,
but it was still very, very tasty. Linda had the
shwarma. It smelled good.
We walked back to the room and I got
the wifi code so I could search for what we
were going to do. There are a lot of great muse-
ums in Montreal, so we had to make a plan. We
chose the Decorative Arts Museum of Montreal.
Itʼs a lovely pair of building right across the
street from each other. We started with the older
of the two building. It was a bit of a trek from
our hotel, but it wasnʼt that bad. We got in and
it was a big museum, free to go into the perma-
nent collection and costs for special exhibitions.
The collection we first went into was very good,
a section of furniture starting with a lovely
sleigh from the 1780s. It was in good shape
and that made it even more impressive. There
were a ton of pieces that I really enjoyed. An-
tique chairs, more modern things, pieces from
Tiffaniʼs. Frank Gehryʼs corrugated cardboard
chair, an Apple Mac and televisions and radios.
The designs were modern and beautiful and it
made me very happy to see them all.
Upstairs, they had a lovely series of
rooms for paintings. There were some very
modern pieces, including I think one Pollack
and a few Pop Art pieces that were exceptional,
but there was also a lot of Canadian pieces
from artists Iʼd never heard of who were doing
Abstract Expressionist and post-Impression-
ist kinds of things. There was a group of artists
called the Group of Six who did some amazing
modern stuff that related to Canadian land-
scapes. I loved their stuff. I usually like things
that are much more in the 20th Century, but
these pieces, which felt rooted in the late 19th,
were all fantastic.
There was a great room dedicated to
First Nations art, especially those tradition-
ally around Hudson Bay and northern Quebec.
There was a bear, a Polar Bear kind of statue,
that seemed to be dancing. I asked Linda to take
a bunch of photos of it. It was the kind of thing
that just buzzed with a sort of joy. It looked like
it was skankinʼ! Honestly, I am always looking
for things that seem to represent joy. This was
certainly one of them.
We enjoyed the museum and walked
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in the exhibit. There were probably thousands
of political cartoons done in both France and
the UK during Napoleanʼs reign and it would
have been nice to have some of those, but as it
is, it was still a very strong exhibit.
We walked down to the bottom level
which was nice. There was a lot of modern art,
which is my wheelhouse. There was a weird
video thing that I thought was pretty cool. There
were five screens, all shaped like stretched bear-
skins. On them were projected the images of
four dancing First Nations warrior types and a
fifth that looked to be a woman in a red beaded
thing. They all danced to a techno-y tune. It was
really interesting, I found myself watching it
more closely than I usually watch video instal-
lations. There was a lot to it. The central image
did resemble Cher a bit, which was odd. I liked
it. Kent Monkman was the artist, and Iʼm going
ot be looking for more from him.
The funniest thing was leaving the
building. We walked around and there was
this big remodeling project going on under the
ground. They had a walk-way through it which
had some lovely images of well-known paint-
ings with hard hats and such. They were really
fun. When we got to the end of it, there was a
sign to the Sortie (which either means exit or
a fleet of bomber pilots) and when we left, we
were back at the first building! It was weird. I
was seriously tripped out by the entire situation!
These things only seem to happen to me.
We walked on towards St. Catherine.
Itʼs a wonderful shopping and eating street.
It reminded me of Boston and Newbury or
Boylston. Iʼd been there before, I love that part
of town, and we walked around until we found
lunch. Reubenʼs. This was a place Iʼd been ages
before, one one of my trips with Emerson I
think, and itʼs a wonderful deli-like restaurant.
Itʼd almost count as a coffee shop and yʼall
know how I feel about Coffee Shops. We got a
seat and Linda and I ordered. She had a sam-
mich, I had the Smoked Meat Poutine.
Now, Montreal is known for its smoked
meat. Iʼd say itʼs the half-way point between
corned beef and pastrami. Itʼs delicious, it really
is, and there are several places that are famous
for it. I understand that Reubenʼs gets theirs
from Schwartzʼs, which is the Gold Standard.
We ordered and when it came, it was giant. That
photo only gives part of the story. The smell,
she was amazing. You got the meat and you got
out in the air of the city. It had been drizzling
and raining a bit, but when we got out, it was
clean and clear and everything was perfect. We
walked across the street and there was the other
building that formed the museum. This one had
an exhibit dedicated to Napolean. There was
one of his hats, a bunch of paintings and arti-
facts that were from his household or at least
the kind that he would have used, and there
was an awesome couple of chairs. This whole
exhibit showed 1) that Napolean was an incred-
ibly important part of the history of France and
2) the French canʼt seem to leave him alone. It
was a nice exhibit, the kind youʼd find at a his-
tory museum, which I didnʼt expect from an art
museum. Sadly, I only saw one political cartoon
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