Aleister Crowley - Collected Works, Volume III, Part 3.txt

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THE WORKS OF ALEISTER CROWLEY    Vol. III, part 3 of 3   ASCII VERSION

November 21, 1993 e.v. key entry by Bill Heidrick, T.G. of O.T.O.
February 1, 1994 e.v. proofed and conformed to the "Essay Competition Copy"
edition of 1907 e.v. by Bill Heidrick T.G. of O.T.O.

File 3 of 3.

Copyright (c) O.T.O.

O.T.O.
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This work was originally published in two parallel columns.  Where such
columns are found in the original, they have been rendered as a single text
with "A" or "B" added to the page number at the end of each column: A = end
page left column.  B = end page right column.  On many pages a prefatory
paragraph or a concluding group of sentences is full across the page.  These
instances are noted in curly brackets.

Pages in the original are marked thus at the bottom:  {page number} or {page
number A} and {page number B}.
Comments and descriptions are also set off by curly brackets {}
Comments and notes not in the original are identified with the initials of the
source: e.g.  WEH note = Bill Heidrick note, etc.  Descriptions of
illustrations are not so identified, but are simply in curly brackets.

   Text Footnotes have been expanded at or near the point of citation within double angle brackets, e.g. <<footnote>>.  For poems, most longer footnotes are cited in the text to expanded form below the stanzas.

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                          LIBER SECUNDUS VEL AMORIS

                                      TO

                                 MARY BEATON

                                WHOM I LAMENT

    "The Kabbalists say that when a man falls in love with a female elemental -- undine, sylph, gnome, or salamandrine, as the case may be -- she becomes immortal with him, or otherwise he dies with her. . . . The love of the magus for such beings is insensate, and may destroy him." -- "Eliphaz Levi."

   "Orpheus for the love he bare to his wife, snatcht, as it were, from him by untimely Death, resolved to go down to hell with his harp, to try if he might obtain her of the infernal power." -- "The Wisdom of the Ancients."

    {Columns resume}

    ORPHEUS, FINDING EURYDICE DEAD, STUNG BY A SERPENT, LAMENTS OVER HER.

    COME back, come back, come back, Eurydice!
            Come back to me!
    Lie not so quiet, draw some faint sharp breath!
            It is not death:
    It cannot, must not be, Eurydice.
            Come back to me!
    Let me as yet lament not!  Let me stoop! --
            Those eyelids droop
    Not with mere death, but dreams, Eurydice!
            Come back to me!

    O you that were my lover and my wife!
            Come back to life!
    Come back, breathe softly from the breast of gold
            These arms enfold.
    Give me your lips and kiss me once!  O wife,
            Come back to life!
    Nay, let the wind but stir the silky hair,
            (God's lesser air,
    Not his full blossom of woman's breath!)  O wife,
            Come back to life!  {158A}

    Stir once, move once, rise once, Eurydice!
            Be good to me!
    Rise once. -- O sleep not!  Listen!  Is not all
            Nature my thrall?
    Once only: be not dead, Eurydice!
            Be good to me!
    I love you -- be not dead! -- rise up and say
            "I feigned, I lay
    Thus so you kissed me" -- O Eurydice,
            Be good to me!

    There is not one sweet sigh of all the old sighs --
            Open your eyes!
    Not one warm breath of the young breast: no sleep
            Could be so deep.
    The last pale lotus opens to the skies.
            Open your eyes!
    Lift the blue eyelids under the deep lashes
            Till one light flashes!
    Wake with one supreme sigh like the old sighs!
            Open your eyes!

    I cannot leave you so, Eurydice.
            Come back to me!
    Just in the triumph, in love's utmost hour,
            Life's queenliest flower -- {158B}
    All shattered, overblown.  Eurydice,
            Come back to me!
    I cannot have you dead, and live: let death
            Strangle my breath
    Now as I kiss you still -- Eurydice!
            Come back to me!

    Fling down the foolish lyre, the witless power!
    Cast the dead laurel in the dust!  The flower
      Of all the world is marred, the day's desire
    Distorted in the eclipse, the sun's dead hour.

    Let me fall down beside thee!  Let me take
    The kisses that thou canst not give, and slake
      Despair in purposeless caresses, dire
    Shames fang-wise fastened of the eternal snake.

    Is there no warmth where beauty is so bright?
    No soul still flickering the the lambent light
      Still shed from all the body's excellence?
    No lamp unchidden of the utter night?

    Cannot my life be molten into thee,
    Or thy death fall with rosier arms on me,
      Or soul with soul commingle without sense,
    As the sun's rays strike deep into the sea?

    O beauty of all beauty -- central flower
    Of all the blossoms in the summer's bower!
      Fades not all nature in thy fall? the sun
    Not darken in the miserable hour?

    I hate all Nature's mockery of life.
    The laugh is grown a grin; the gentle strife
      Of birds and waves and winds at play is grown
    A curse, a cruelty.  My wife! my wife!

    I am broken, I cannot sleep, I cannot die.
    Pain, pain for ever!  Nature is a lie,
      The gods a lie.  Myself? but I am found
    Sole serious in the hateful comedy.

    Blackness, all blackness!  How I hate the earth,
    The curse that brought my being into birth.
      I, loving more her loveliness, am bound
    And broken -- thrice more bitter for my mirth!  {159A}

    Song, was it song I trusted in?  Or thou,
    Apollo, was it thou didst bind my brow
      With laurel for a poison-wreath of hell
    To sear my brain and blast my being now?

    A band of most corroding poison wound
    Dissolving with its venom the profound
      Deep of my spirit with its terrible
    Sense without speech and horror without sound.

    A devil intertwining in my heart
    Its cold and hideous lust, a twiforked dart
      Even from the fatherly and healing hand --
    The double death without a counterpart

    In hell's own deepest pit, far, far below
    Phlegethon's flame and Styx's stifling flow,
      Far below Tartarus, below the land
    Thrust lowest in the devilish vertigo.

    If I could weep or slumber or forget!
    If love once left me, with his eyelids wet
      With tender memory of his own despair
    Or frozen to a statue of regret!

    If but the chilling agony, that turns
    To bitter fever-heat that stings and burns
      Would freeze me, or destroy me, or impair
    My sense, that it should feel not how it yearns!

    Or if this pain were only pain, and not
    A deadness deeper than all pain, a spot
      And central core of agony in me,
    One heart-worm, one plague-leprosy, one blot

    Of death, one anguish deeper than control? --
    Then were I fit to gain the Olympian goal
      And fling forth fiery wailings to the sea,
    And tune the sun's ray to my smitten soul!

    How should I sing who cannot even see?
    Grope through a mist of changless misery.
      An age-long pain -- no time in wretchedness! --
    As of an hammer annihilating me {159B}

    With swift hard rhythm, the remorseless clang;
    Or as a serpent loosening his fang
      To bite more deeply -- this inane distress
    More than despair or death's detested pang.

    I live -- that shames me!  I am not a man.
    Nothing can I to sharpen or to span
      My throat with iron fingers, or my sword
    In my heart's acid where the blood began

    Long since to leap, and now drops deadly slow,
    Clotted with salt and sulphur and strong woe.
      I shall not die: the first sight of the sward
    Stained with the spectral corpse had stung me so,

    Not stabbed me, since I saw her and survive.
    I shall not die -- Ah! shall I be alive?
      This hath no part in either: bale and bliss
    Forget me, careless if I rot or thrive.

    Heaven forgot me -- or she were not dead!
    And Hades -- or I should not raise my head
      Now, and look wildly where I used to kiss,
    Gaze on the form whence all but form has fled!

    I am alone in all the universe,
    Changed to the shape and image of a curse,
      Muffled in self-conflusing, and my brain
    Wakes not nor sleeps: its destiny is worse.

    It thinks not, knows not, acts not, nor appeals,
    But hangs, remembers: it abides and feels
      As if God's vulture clung to it amain,
    And furies fixed with fiery darts and wheels

    Their horror, thought-exceeding, manifold,
    Vertiginous within me -- and the cold
      Of Styx splashed on me, making me immortal,
    Invulnerable in its bitter mould;

    Leaving its own ice, penetrating streams,
    Grim streaks, and dismal drops, abysmal beams
      Thrown from the gulph through the place and portal,
    Each drop o'erladen with a curse that steams  {16...
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