Michael Ammar - 3rd world lecture notes.pdf

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Michael Ammar's
Third National Tour
Notes
CONTENTS
Ring on Rubberband
Broken and Restored Rubberband
T.V. Thumbtip Finesse
Haley's Comet
Coins Thru Silk
Pencil Thru Quarter
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Continuing the action, the left hand lets go of the ring, as
the thumb pushes the rubber band away from you. with the
thumb above the ring, as in Figure 2. The right thumb and
index finger now pinch together, and twist clockwise. When
you do this, the end of the band slips off of the right thumb.
Michael Ammar
RING BAND-IT
Effect
A ring is borrowed and a rubber band is examined. After it has
been confirmed that everything is as it should be. the ring is
then visibly linked onto the rubber band, and then visibly
snapped off three different times. In each case the linking is
done in full view, and the ring is clearly seen to be linked onto
the band.
To conclude, a pseudo explanation is given as to how the
ring links onto the band, by breaking, and then visibly
restoring the rubber band. Everything, of course, is examined
at the end. with nothing to ditch or conceal.
Comments
This has grown into my favorite impromptu routine these days.
The concept belongs to Bill Kalush. who showed me his
Rubber Ringer routine years ago. and which Richard Kaufman
printed in Richard's Almanac in September. 1983. I loved the
effect, but could only remember the key grip he used to create
the illusion of the ring linked to the rubber band.
I toyed with the handling for some time, and eventually
came up with six different phases for linking and unlinking the
CONTINUED ON PAGE 3
and onto the index finger, giving you the position shown in
Figure 3. As you will notice, the band creates an x as it is
pinched between the thumbs and forefingers of both hands,
with the ring resting inside the left section of the x
ring, each with their own strengths and weaknesses. 1
eventually narrowed it down to the three phases included here.
The great news is that after 1 showed these to several friends,
they in turn improved further on the ideas to the point that I
am ecstatic with the results. Everything fits together just as 1
like it to. with each phase building upon the next, both
confirming links and cancelling techniques. If you only work
on one new impromptu, close-up/stand-up routine this year.
make it this one!
The right middle finger now goes into the section of the x
that contains the ring, and works it over to the right, as in
Figure 4. (Don't go into the right side of the x. as I constantly
tried to do. because this won't work. For a long time 1 was just
a quarter of an inch away from The Missing Link!") This
allows the right thumb and index finger to gnp together what
will be the two ends of the band. When done correctly, you will
end up with the situation shown in Figure 5.
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Procedures
The ideal rubber band to use for the routine is a # 19. 3-1/2"
(9 cm) in length by 1/32"(I mm) by 1/16" (2 mm). Certain
finger rings are better than others for the most deceptive
linking. I do not use rings with large stones, or large class
rings. These, because of the way you have to hold the ring and
band during the linking, prevent a clear view of the rubber
band passing through the center of the ring. The best rings are
also relatively thin at their most narrow points, allowing you to
easily pinch the rubber band around the ring for certain
displays.
Phase One
This is the phase I worked hardest to perfect, yet I still fell prey
to Vernons observation — "Magicians stop thinking too
soon!"
It took Mike Giles from Visalia. California, to come up with
what was literally "The Missing Link". Basically, you will be
doing the handling from Harry Lorayne's "Snap" from
Reputation Makers, but doing it with the ring on the center of
the rubber band.
Begin with the ring on the tip of the right index finger, and
the rubber band stretched between the index finger and thumb
of the right hand. The left hand moves the ring to the middle of
the rubber band, as shown in Figure 1.
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Essentially, what you have done is to take the two loop ends
of the rubber band between the index finger and thumb of the
right hand, and the center of the band between the pinched
thumb and index finger of the left hand. By stretching the
band tight and kneeding it between the fingers, you will work
the two strands of the band together so they appear to be a
single strand. It will take a bit of work to make sure the
strands of the band are flush together, creating the perfect
illusion, but when the knack is acquired, you will be well
rewarded.
As I manipulate the rubber band and ring into this position.
I patter: "What I am about to do is to create a beautiful, but
temporary, piece of magic. Beautiful because all I have to do is
toss, and the ring visibly links onto the center of the rubber
band. As you can see. the ring is unquestionably on the center
of the rubber band, and the band is definitely through the
center of your solid ring.
"But I also said the magic is only temporary, because just
as quickly as the ring went onto the band, it also melts back
off. leaving the rubber band perfectly unharmed." The position
shown in Figure 5 is the one which "sets up" all the other
links, because in the next two phases you will be unable to let
the ring clearly dangle on the center of the band. As 1
mentioned, each phase has its own strong and weak points,
and all compliment the others.
I should also mention why 1 stress the temporary aspect in
the presentation. I do this because in many close-up situations
you might be asked to hand out the ring and band in a linked
Figure 8 shows a slight difference between this grip and the
Kalush Grip. You will now bring the right fingers back up to
grip the lower strand of the band on the side of the ring closest
I to you. However, instead of putting all three fingers through
the band, you will only insert the middle and third finger back
through the band. In this way. when you get into the final
display position, the band will apparently be looped around the
condition, to be examined. Under structured performing
situations you might not be asked to do this, but the illusion is
so strong, it would seem a natural next step to hand it all out.
However, by qualifying it up front as a temporary illusion, you
don't need to side step the issue later on.
To unlink the ring, gather the whole works into the left
hand, make a flourishy gesture, and reach into the left hand
with the right fingers. Quickly encircle all the fingers of the
right hand with the rubber band and remove the band from the
left hand with it stretched wide, still clearly unbroken. For
some time 1 ended the first phase by acting as if I had to break
the band, letting the ring slide off one end. having the band
(with both strands pulled taut as one...) snap back into the
other hand. 1 then made a gesture to restore the band, and
continued with the next two links. After long thought,
however. I'm now certain this breaking and restoration is
much, much better when saved for the kicker at the end.
Please resist the temptation to use it too soon.
"But. for all bad news, there is also good news. Although the
illusion is temporary. I've found I can do it as often as I like, so
1'll do it again for you. just in case you weren't sure about what
you may have seen."
Phase Two
In this phase, you will basically use the Kalush Grip, but with a
different lead in. penetration, and hold onto the band. Begin
with the ring deep on the left little finger, with the band
stretched between the left little finger and thumb.
The right thumb and index finger take the ring by its most
narrow point, and move it off the finger and onto the center of
the band between the two fingers — Figure 6. Still holding the
ring by the thumb and index finger, the right hand places the
middle, third, and little fingers over the bottom strand of the
band. This is done through the middle of the band, in the
section on the far side of the ring from you — Figure 7. Insert
the fingers through this section, all the way up to the second
joint of the fingers.
right little finger, instead of disappearing for no reason into
the right hand. 1 find this small difference to be quite
important.
Holding onto the ring and band in this way. you will find .
that you will be able to conceal the bottom strand of the band
along the right thumb and index finger, creating the
impression that only a single strand of the band passes
through the ring. I think Kalush's concept behind this grip
(which motivated further thoughts on the effect itself) is true
genius. Aside from the fact that the right hand has to retain
hold on the ring, this creates the perfect illusion of a borrowed
ring linked onto the center of a rubber band — Wonderful!
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To unlink the ring, let go of the bottom strand of the band
on the side of the ring nearest you — Figure 11. Keep hold of
the ring with the right hand, as you also let go of the rubber
band with the left thumb. This will allow both sides of the band
to pass back through the ring. However, as you will notice, the
right index finger is contacting the band against the far side of
the ring. Keep pressing this finger and the piece of the band
against the ring. The left thumb now swings down inside the
band, where the three right fingers are still keeping it open.
The fingers move out of the way. as the left thumb pulls back
the end of the rubber band.
The right hand will need to slightly regrip the ring and band
at this point for the final display. What you have actually done
is to have maneuvered the band out of the ring and around the
back side of the ring. Now you will need to pinch the band
through the center of the ring, creating the impression that it
still passes through the center of the ring. This is actually the
same grip used in many ring and string or rope routines.
The left hand now stretches the bottom strand away from
you. causing the top. pinched strand to stretch, as if you were
going to shoot the ring from a sling shot as in Figure 12.
With the ring pointed directly at the spectators, the top of the
band seems to be pressed against the upper inside edge of the
ring. To cause what seems to be a visible penetration from the
front side of the ring, simply release the pressure on the band,
allowing it to quickly shoot around, free from the ring. Be sure
to hold the ring firmly here! When done correctly, the illusion
is perfect.
retain the tension on the lower section of the band with the left
fingers. Release the upper strand, and you will find the section
between the thumb and first finger to have the majority of the
slack the band has to offer.
Hold the ring by the index finger and thumb of the right
hand, as Figure 13 shows, but do not have the very tips of the
fingers pressed together yet. They are. in fact, poised to press
together, because you are about to pinch the band through the
center of the ring once again.
To get into the grip with a minimum of motion, press down
on the strand of band between the index finger and thumb of
the left hand, the section which you worked the extra slack
into. As Figure 14 shows, press down on the strand with
enough pressure to allow you to tightly pinch the band with
the tips of the finger through the center of the rubber band.
Your grip on the ring should be such that the very tips of the
fingers meet right at the center of the ring.
As soon as you have the band properly pinched, return the
top strand to a parallel position between the index finger and
thumb. Pause for a beat, with the strand passing right through
the very center of the ring. Again, you are in one of the
traditional grips for the standard ring on rope moves, yet as
you are here using the rubber band, you are able to perform a
beautiful addition to the deceptiveness of the grip. Figure 15
shows how the ring can now be passed back and forth along
the rubber band, apparently showing the band traveling freely
through the center of the ring. What actually takes place is that
the band is stretching and contracting on either side of the
ring, where you have it pinched. However, because of the slack
in the strand, the illusion of the band remaining stationary as
the ring passes along it is flawless!
"But just in case you still aren't convinced. I'll do it fust one
more time. But before 1 do. let me show you the band on all
sides, the nng. and both hands. Now. just by touching the ring
onto the band. I make it melt through the band, creating a
perfect link. But as always, it is a temporary illusion, because
just as quickly, it pops back off and into your hand."
Conclusion
To conclude, once again perform the unlink as described in the
second phase, and drop the borrowed ring back into the hands
of the spectator who loaned it to you.
1 certainly hope you practice this well, because if you do.
you will have a priceless routine for use any time, any place,
for groups of up to 100 people as well as for one on one!
MICHAEL AMMAR *
The Final Phase
Hold the band stretched around the left fingers as shown in
Figure 13. Notice that the left middle finger is on the outside
of the band: this is to help hold the band with tension on it in a
certain way. Once you get into this grip. pull the strand
between the left index finger and thumb very tightly. and
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Michael Ammar
BROKEN AND RESTORED
RUBBER BAND FINESSE
1. The rubber band is stretched between the
Index finger and thumb of the right hand.
4. You will need to move the two looped ends
until they are pinched between the Index
finger and thumb of the left hand. To do this,
the right Index and middle fingers completely
open up the section of the looped bands that
the tip of the Index finger occupied.
2. The left hand pushes the middle of the
rubber band away from yourself, as the right
Index finger and thumb pinch together.
5. The left fingers help the right fingers
completely open up their opening, moving the
two looped ends between the pads of the left
thumb and Index finger.
3. The right hand pivots away from yourself,
transferring the loop of the band from the
thumb to the Index finger.
6. The rubber band Is doubled over on Itself,
with the looped ends pinched between the
pads of the left thumb and finger. There Is a
double strand of rubber band held together so
they appear to be a single strand looped
around the right Index finger.
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