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Inquiry
, 47, 20–41
Political Itineraries and Anarchic
Cosmopolitanism in the Thought of
Hannah Arendt
Annabel Herzog
University of Haifa
In this paper, I argue that Arendt’s understanding of freedom should be examined
independently of the search for good political institutions because it is related to
freedom of
movement
and has a transnational meaning. Although she does not say it
explicitly, Arendt establishes a correlation between political identities and territorial
moves: She analyzes regimes in relation to their treatment of lands and borders, that
is, specific geographic movements. I call this correlation a political
itinerary
. My aim
is to show genealogically that her elaboration on the regimes of ancient, modern, and
‘dark’ times is supported by such a correlation. I read Arendt in light of the current
clash between an amorphous global political identity (and ‘new’ international order)
and the renewal of nationalisms. I show that, for Arendt, the world is divided by
necessary frontiers – territorial borders and identity frames – and that the political
consists precisely of the effort to transgress them. Arendt never proposed a restoration
of authority but, on the contrary, a worldwide
anarchic
(that is, based on no
predetermined rule) politics of de-localization and re-localization; in her terms, a
politics of
free movement
of founded identities, a
cosmopolitanism
, which,
nevertheless, would have nothing to do with global sovereignty.
Arendt did not conceptualize a ‘best regime’ nor did she systematically
indicate the characteristics of good political institutions. She theorized
freedom as the ‘
raison d’ˆtre
’ of politics,
1
but, as widely noted in the
literature, she left us with more questions than answers because her
argumentation on the need for authority contradicts her concept of freedom.
In my mind, Arendt’s understanding of freedom should be examined
independently of the search for good local political institutions because it is
related to freedom of
movement
and has a transnational meaning. I argue that
Arendt’s conception of the political in general is linked to the notion of
displacement and, hence, transcends the limits of localized structures.
Although she does not say it explicitly, Arendt establishes a correlation
between political projects – meaning constitutions and identities – and
territorial moves: She analyzes regimes in relation to their treatment of lands
and borders, that is, specific geographic movements. I shall call this
correlation between political projects and territorial displacements a political
itinerary
. My aim in this paper is not to reveal a misunderstood political
DOI 10.1080/00201740310004396
2004 Taylor & Francis
Politics and Anarchy in the Thought of Hannah Arendt
21
philosophy, but to show genealogically that Arendt’s elaboration on the
regimes of ancient, modern, and ‘dark’ times is supported by such a
correlation. I read Arendt in light of the current clash between an amorphous
global political identity (and ‘new’ international order) and the renewal of
nationalisms. I show that the world conceived by Arendt is divided by
necessary frontiers – territorial borders and identity frames – and that,
according to her, the political consists precisely of the effort to transgress
them.
In order to expose the notion of political itinerary in the work of Arendt, I
disregard the dichotomy totalitarianism-free republic (or democracy)
traditionally established by Arendt’s scholars, and I read her according to
the conceptual triad, authority-imperialism-cosmopolitanism. I first focus on
her conceptualization of authoritarian regimes as repeated policies of ‘return’
to one land and one founding rule. The authoritarian itinerary has been proven
to limit freedom because of its centralization on a sanctified land and a once-
in-history foundation whose values were considered as essential principles of
behavior. However, modernity has taught us that the destruction of all
foundations, that is, ideology, has more severe consequences than the absence
of freedom. Therefore, in the second part of the paper, I discuss Arendt’s
contention that imperialism, seen as the first ideological policy, replaced the
authoritarian itinerary in annihilating both the idea of foundation and that of a
territorially delimited homeland. In the third part, I turn to Arendt’s proposed
alternative to the imperialist itinerary. I argue that Arendt does not propose a
restoration of authority but, paradoxically, a worldwide
anarchic
(that is,
based on no predetermined rule)
2
politics of de-localization and re-locali-
zation; in her terms, a politics of
free movement
of founded identities,
3
a
cosmopolitanism
, which, nevertheless, would have nothing to do with global
sovereignty.
I. Authoritarian Itineraries: Ontological Foundation
In ‘We Refugees’, in which Arendt describes the life condition of German
Jews fleeing Nazism, she writes: ‘The desperate confusion of these Ulysses-
wanderers who, unlike their great prototype, don’t know who they are is
easily explained by their perfect mania for refusing to keep their identity.’
4
The difference between the refugees and Ulysses is that the former had no
place
to come back to because they forgot
who
they were. For Arendt, identity
does not consist in a determined background that follows one everywhere like
a shadow, but rather in a process of
return
, which is at the same time a
territorial return and a return in memory. Ulysses remembers who he really is
and, accordingly, agrees to reveal himself to others only when he hears the
story of his own life ‘out of himself, an “object” for all to see and to hear’, told
22
Annabel Herzog
by a bard at the court of the king of the Phaeacians.
5
His memory of his
journey or, as Arendt interprets it, his ‘reconciliation’ with his own reality, is
parallel to his concrete return to his island: one day after he hears and tells the
story of his life Ulysses eventually reaches and re-conquers Ithaca, his home.
6
Arendt’s reference to the journey of Ulysses in such a ‘refugee’ context
reveals the twofold meaning of the myth (twofold for our purpose, manifold
in general), namely, its ontological and political levels; ontological first
because it is the story of the elaboration of identity as a dialectical process of
alienation and re-appropriation, which ends up in a reinforced sameness.
Unlike the refugees who ‘whatever [they] do, whatever [they] pretend to be…
reveal nothing but [their] insane desire to be changed, not to be Jews’,
7
Ulysses estranges himself from his family and his small land whose borders
are clearly established, and crosses the seas to discover and confront
otherness, with the constant aim to come back and reintegrate his own
landscape and his own traditions. Enriched by his adventures, one might say
that he becomes ‘more himself than himself’ at the end of his journey. The
meaning of his trip, its essence, is the return. Ulysses travels in order to come
back; he leaves the known for the unknown
for the sake of the known
. This
ontological myth is, in parallel, a political myth. King Ulysses chooses to
leave his kingdom and participate in the Trojan War. He visits remote lands
where he fights and defeats various powers and comes back to re-conquer his
Ithaca, coveted, like Penelope, by the suitors. The return of Ulysses is that of a
victorious king and of his specific political order. By contrast, argues Arendt,
the German-Jews fleeing Germany never cared for political involvement.
8
They had nothing to come back to because they had lost a political identity
that never existed: ‘remember that being a Jew does not give any legal status
in this world’.
9
Identity is political. Its loss is a loss of belonging to, and acting
in a specific community and a specific place.
The similarity of ontology and politics as a search for reconciled identity
or, put differently, the understanding of politics as a quest for unity and
sameness, is as old as Western culture and is reflected in traditional
philosophy. Arendt dedicates
The Life of the Mind
to analyzing and criticizing
this similarity and, like many of Heidegger’s students,
10
she there claims to
attempt ‘to dismantle metaphysics, and philosophy with all its categories’.
11
When referring to traditional philosophy, or metaphysics, she turns to another
Greek journey, Plato’s Allegory of the Cave. Political philosophy, she writes,
‘began with the philosopher’s turning away from politics and then returning
in order to impose his standards on human affairs’.
12
As Patrick J. Deneen
recently argued, the Allegory of the Cave shares a great deal with the story of
Ulysses: ‘Odysseus offers for Plato the example of a protophilosopher, one
who is cognizant of the attractions of life both inside and outside the cave and
who, like Odysseus, chooses finally to return to mortal life inside the cave, if
informed throughout by his journey above and by prudence once below’.
13
Politics and Anarchy in the Thought of Hannah Arendt
23
The Allegory of the Cave, like the story of Ulysses, unifies ontological and
political processes. On the one hand, the philosopher comes back enriched by
the contemplation of the essence of Being, that is, of true and perfect unity; on
the other hand, he comes back as a philosopher-king.
14
Arendt argues that it is
Plato’s originality to have thought of sameness and ‘“truth” in terms of
standards applicable to the behavior of other people’ and that ‘he tried to
modify the theory of ideas so that it would become useful for a theory of
politics’, and so that it would become the basis for
ruling
the public sphere.
15
This wish to rule, she adds, comes from Plato’s fear of the mob that killed
Socrates. Recall that the mob in the cave claims to know the truth and does
not ‘recognize’ the philosopher as
the
truth-teller, as the suitors aspired to
Ithaca and Penelope and did not recognize their king.
The ontological political identity exemplified in these myths consists,
therefore, in a double process of return: return to preexisting rules whose
value is discovered and strengthened during the estrangement ‘abroad’, and
return to a specific and limited territory: Ulysses comes back to Ithaca and the
philosopher comes back to the cave. Arendt insists on this normative and
geographic return, which appears to inform the
authoritarian
order, and
which I call the authoritarian
itinerary
, as distinct from authoritarian
institutions. Arendt argues that authority as theorized by Plato was, in
practice, a Roman creation, the particularity of the Romans being that they
‘were bound to the specific locality of this one city [Rome]… [They] were
really rooted in the soil, and the word
patria
derives its full meaning from
Roman history’. Moreover, Roman-conquered lands were subsumed
ontologically, as it were, under the laws of the homeland and they ‘were
nothing but Roman hinterland’.
16
In this context, authority meant a constant
‘return’ both to the land of Rome and to the values of ancestors considered
sacred and immutable.
17
As emphasized by Honig,
18
Arendt’s analysis of authority is ambivalent,
not to say, contradictory. On the one hand, she contends that authority helps to
‘prevent deterioration’ of the political realm.
19
On the other hand, she
criticizes authority in that it may lead to ‘an attraction to the tyrannical’, both
in philosophy and in practice,
20
because authority always implies obedience
and a hierarchy.
21
The compelling nature of the rules, even if they represent
the standards of reason, risks degeneration into coercion.
22
At the same time,
therefore, authority is a necessary condition for political life and authority
hinders freedom and the human capacity to begin something new. Pirro asks:
‘Why does Arendt affirm the necessity of limiting the very thing [freedom]
that she values the most?’ And he rightly answers: ‘Political authority, as it is
manifested in customs, manners, traditions, and positive laws, serves to
stabilize human affairs by providing a framework within which initiative-
taking in politics can take place’.
23
In other words, authority is useful for
political life to the extent that it provides a ‘framework’ but it endangers or
24
Annabel Herzog
limits freedom to the extent that this framework subsumes newness under
given standards. Accordingly, it is my thesis that, for Arendt, what is needed
for good political life is not authority
per se
, which may degenerate into
tyranny, but a framework or, more precisely, a framework that will allow or
even provoke newness. Such a framework, independent of authority but
included in some forms of authority, is called by Arendt a political
foundation
.
A foundation is the
actual event
that realizes the link between sameness
and newness and on which a community constitutes its specific identity, be it
that of a nation-state or of any other form of public community of acting men
and women. It is an ‘event in which the “world had become flesh”, that is…
an absolute that had appeared in historical time as a mundane reality’, and it is
the necessary starting point of all actions.
24
The founded political identity
may be more or less related to previous structures: A modern revolutionary
foundation tries to cut all bonds with former regimes, whereas some antique
foundations, like that of Rome, voluntarily maintain a link with ancient
customs or traditions.
25
In any case, for Arendt, following Aristotle, a
political foundation never consists in a passage from a state of nature to a
political state: It institutes a particular political tradition, or
constitution
,
replacing another particular political tradition. Indeed, it consists partly in a
return to sameness: It establishes the political but it is, at the same time,
already based on a political situation. Then the foundation of a political
community constitutes its identity because, or when, its actual occurrence is
remembered. Ancient foundations, for instance, were kept in memory in the
form of legends through which people assumed responsibility for the past and
on which they built their political will.
26
In her analysis of foundations, Arendt recalls a third Greek journey, that of
Theseus, ‘the legendary founder of Athens’.
27
She recalls it briefly, but her
laconism should not prevent us from remembering the whole myth. Like
Ulysses, or the philosopher of the Cave, Theseus ‘comes back home’ but he
comes back to a home where he has never been before: His homeland is not
his land of birth and youth. His trip, from Troezen to Athens, is a quest for
identity, for he is willing to meet Aegeus, his father. In Athens, however, he
does not perpetuate his family’s regime but establishes a new regime,
democracy. He accomplishes his glorious deeds and defeats his cousins, the
fifty sons of Pallas, not to re-conquer a lost kingdom, but to found a new
political order. In the three Greek myths recalled, that of Ulysses, that of the
Cave (developed in the whole theory of
The Republic
), and that of Theseus,
the hero comes back reconciled with himself, represses some kind of
rebellion, and strengthens his political power. However, only in the case of
Theseus is this power radically ‘new’, that is, ‘free’;
28
indeed, it is a regime of
freedom. (For Arendt the authoritarian regime of the philosopher-king
described in
The Republic
has nothing new because it is based on the
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