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Procrastinations four
Square-Eyed
Procrastinations is written (or, in some cases, merely edited) by John Coxon.
Credit is given to material that is ripped off gratefully accepted from others.
Issue 4 published Thursday 6th September 2007.
Future issues may be published. You have been warned.
14 Chapel Lane, Peterborough, PE4 6RS // zines@chickensinenvelopes.net
eFanzines.com/Procrastinations
This is the first issue of Procrastinations that has been published in the
proper order, in that it actually comes after all the issues that preceded it.
I’ve got some really good people writing articles for me this issue and
I’m ecstatic that they were all foolish enough to say yes.
Just one thing that it is very important I mention at this point: Vote
Chris Garcia for TAFF. Chris is a real asset to fandom, both in the US
and to anyone who’s ever had anything to do with fanzines. He’s one of
the most active members of fanzine fandom I know, whilst being very
nice, to boot. The man’s a legend and I’d love to have the opportunity
to meet him at Orbital so please vote for him to come over next year.
Articles This Issue.
Giant Transforming Robots! ........................................................ 2
No, We Don’t Have a TV............................................................. 5
Through The Small Screen To The Future.................................... 6
Heroes : A Comic On TV ............................................................. 11
Island Ahead!............................................................................... 14
Battlestar Galactica : Old & New ................................................. 19
Imagining The Future .................................................................. 22
Letters of Comment .................................................................... 24
Closing Remarks ......................................................................... 36
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Giant Transforming Robots!
By John Coxon
Editor
So, the new version of Transformers , then. I actually took some time
out of a convention to go and see the film at 10:30 on a Saturday
morning. I am thoroughly glad I did, because this film is brilliant.
However, I must warn my readers that spoilers are to be seen in this here
article.
The first thing about the movie I liked was the beginning. It focuses on
a group of US Air Force personnel, who are about to return home after a
tour of duty. The base at which they’re stationed suddenly detects a
bogie, who, as the audience realises near instantly (or at least, they do if
they’re me), is a Transformer, in fact a Decepticon by the name of
Blackout. Eventually, Blackout lands in the middle of the air base. And
then, well, he transforms.
It was at this point that I knew we were in for one hell of a movie. The
transformation sequence for this Transformer was legendary. First, the
rotor blades stopped, and we’re not talking the motor turning off and the
blades coming to a standstill – we’re talking the rotors suddenly just
stopping, sliding back, and then the transformation beginning until
suddenly, Blackout is standing there and all hell breaks loose. This is
one bloody good action scene – we get a good look at the Transformer
and he begins to fight the people at the base, five minutes of mayhem
and human slaughter, with the group of men we met right at the
beginning being (you guessed it!) the only survivors.
After the end of that sequence, it abruptly cuts to a school, where the
main character, Sam, is giving a presentation on his great grandfather,
and eventually this is over, and he scores the grade he needs for his
father to buy him a new car. This is our first encounter with
Bumblebee, the main Transformer in the movie. In a nice homage to the
original, in the first scene in which Sam sees him he is parked next to a
yellow Volkswagen Beetle, the car that Bumblebee originally
transformed into.
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I could go on all day about how funny the one-liners were, about how
cool the action sequences were, and about how awesome the CGI was,
but ultimately, I just want to say this.
I go to the cinema to be entertained. I’ve seen films that made me sit up
and think before, and whilst they’re good, they usually feel like one
point in an argument that the director wanted to make over two hours,
when he could have just, you know, said what he wanted to say. As
Douglas Adams once said, and I paraphrase from memory, “If I’d
wanted to write a message, I wouldn’t have written a story.” The main
film that I can think of that fits this bill is The Interpreter , starring
Nicole Kidman, which was very good but also not something I wanted
to spend two hours of my life on.
Transformers was the most entertaining film I’ve seen all year, with the
possible exception of Hot Fuzz , which is similarly brilliant. I happen to
really, really like films that aren’t comedies but which happen to be
funny in places, which this film managed with flying colours. For
another instance of what I mean, try watching the TV show NCIS , which
I’ve always thoroughly enjoyed, because it’s not focused on comedy or
being funny but still manages to make me laugh every episode.
Having said that, I want to spend a little time talking about the actors.
Shia LaBeouf was cast in the leading role, and ever since seeing Holes
(another film that starred both Jon Voight and LaBeouf in leading roles),
I’ve been watching for him to do a film as a lead actor. He was good in
both Constantine and I, Robot but he played a very similar role in both
of them, so Transformers was, for me, a chance to see some more of his
acting, and he didn’t disappoint. He’s also one hot guy, which never,
ever hurts a film.
With the addition of Josh Duhamel (the captain of the Air Force crew
we meet at the beginning), Megan Fox (Mikaela, Sam’s love interest)
and Rachael Taylor (the Australian hacker working the case of the
Secretary of Defence), the eye candy in this film is absolutely superb.
Duhamel and Fox also, as it happens, gave excellent performances –
Taylor did not really have enough material to shine in any way, and
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since I’d never seen another film that she played a role in, I was unable
to gauge how good she was as an actress, but she was definitely not bad.
And then, you have the actors that make the film funny. Anthony
Anderson (the hacker to whom Maggie turns when she needs help with
the signal) and John Turturro (the man from Sector 7 who arrests Sam’s
family alongside Mikaela) were hilarious (although, as with Taylor,
Anderson did not have nearly enough screen time), as were Kevin Dunn
and Julie White, who played the Sam’s parents (the scene in his
bedroom was brilliant and made me laugh really very hard).
There are a couple of things that annoy me about the reset we see,
though. The first thing is the wave of toys that have accompanied the
movie. Not all of them transform. If you are going to put a
Transformers logo on a toy, it should transform into something, in my
humble opinion. I refuse to buy any toy called a Transformer that
doesn’t transform (and have only found, so far, two that actually do).
The second thing is the prequel comic, which could have tied into the
movie in a better way – certain parts of the story just jarred, although it
does paint a very nifty picture of Starscream and his attitude towards
Megatron as opposed to the other Decepticons.
But these are minor points. The film has encouraged a new wave of
comics from IDW publishing (we’ll leave the prequel comic out of this
and focus on the new comics) who have also republished the
Generations comics from the previous publisher. The new comics are
very good, I think, although if you’re expecting anything similar to the
movie, don’t – the new comics had begun to be published before the
movie was completed, unless I’m very much mistaken.
It’s a good film, and it’s prompted a revival of the franchise, and for
both of these things, it deserves praise and applause. By chance, both
my half-brother and I acclaimed it as the best film of the year before we
realised the other had done so, which must say something (perhaps that
the Coxon family are too easily led by shiny things blowing up). At any
rate, it is the film that now holds the record for the highest amount of
money taken at the US box office in the opening weekend by a non-
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sequel film, and there are two more coming out after it, so I’ll be going
to see them, and reporting back to my readers about the experience.
No, We Don t Have A TV.
By Flick
I have a routine, when people say, “Oh, did you see that programme
about X on TV the other day?” I shake my head, slightly, and say, “No,
I didn’t. Sounds interesting...” I used to say, “No, we don’t have a TV,”
but that leads to bemused looks, which leads me to say, “Well, we do
have a TV, but it’s not set up to receive TV...” but then I realised that
that just lead to even more bewilderment [I may follow this routine when
the same sort of thing is true of me during my stay at the University of
Leicester – Ed] .
We used to have a TV-as-a-TV, before we moved house. Mostly, we
used to turn it on every few days and see whether there were any good
episodes of Futurama on the Tivo. The Sky subscription ran out, about
two months before we moved, and I didn't notice for several weeks.
Then we did move, and we thought about getting a TV-as-a-TV again.
We live near to Canary Wharf, which royally buggers up the TV
reception, but we're not allowed a dish, where we live, and there's no
cable, so it would have had to have been Freeview, and that would have
required going out and buying a Freeview box, and, well, we're a bit
disorganised and crap, really. Every few weeks, then months, one of us
would mutter about getting one, but we never seemed to get around to it.
And, anyway, all the good stuff comes out on DVD, and you can watch
it when you like and don't have to wait a week for the resolution of the
dramatic cliff-hanger, or make sure you remember that it's on, or stop
playing Zelda while you watch it, and so on.
Then New Who started, and, well, we wanted to watch that. As it
happened, we saw the first episode at a con, and it was pretty good, so
Mike went out and, experimentally, bought a Tesco Value TV aerial. It
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