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The Phantom of the Opera by Gaston Leroux
Author of "The Mystery of the Yellow Room" and
"The Perfume of the Lady in Black"
Contents
Chapter
PROLOGUE
I IS IT A GHOST?
II THE NEW MARGARITA
III THE MYSTERIOUS REASON IV BOX FIVE
V THE ENCHANTED VIOLIN VI A VISIT TO BOX FIVE
VII FAUST AND WHAT FOLLOWED VIII THE MYSTERIOUS BROUGHAM IX AT THE MASKED BALL
X FORGET THE NAME OF THE MAN'S VOICE XI ABOVE THE TRAP-DOORS
XII APOLLO'S LYRE
XIII A MASTER-STROKE OF THE TRAP-DOOR LOVER XIV THE SINGULAR ATTITUDE OF A SAFETY-PIN XV CHRISTINE! CHRISTINE!
XVI MME. GIRY'S REVELATIONS XVII THE SAFETY-PIN AGAIN
XVIII THE COMMISSARY, THE VISCOUNT AND THE PERSIAN XIX THE VISCOUNT AND THE PERSIAN
XX IN THE CELLARS OF THE OPERA XXI INTERESTING VICISSITUDES XXII IN THE TORTURE CHAMBER XXIII THE TORTURES BEGIN
XXIV BARRELS! BARRELS!
XXV THE SCORPION OR THE GRASSHOPPER: WHICH XXVI THE END OF THE GHOST'S LOVE STORY
EPILOGUE
{plus a "bonus chapter" called "THE PARIS OPERA HOUSE"}
The Phantom of the Opera
Prologue
IN WHICH THE AUTHOR OF THIS SINGULAR WORK INFORMS THE READER HOW HE ACQUIRED THE CERTAINTY THAT THE OPERA GHOST REALLY EXISTED
The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of
the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers,
the cloak-room attendants or the concierge. Yes, he existed
in ...
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