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Modular Audio Preamplifier


High Quality, Discrete Components Design

Input and Tone Control Modules


Main Module circuit diagram:

Modular Audio Preamplifier Main Module

Parts:

R1_______________1K5  1/4W Resistor

R2_____________220K   1/4W Resistor

R3______________18K   1/4W Resistor

R4_____________330R   1/4W Resistor

R5______________39K   1/4W Resistor

R6______________56R   1/4W Resistor

R7,R10__________10K   1/4W Resistors

R8______________33K   1/4W Resistor

R9_____________150R   1/4W Resistor

R11_____________ 6K8  1/4W Resistor

R12,R13________100R   1/4W Resistors

R14____________100K   1/4W Resistor

 

C1_____________220nF   63V Polyester Capacitor

C2_____________220pF   63V Polystyrene or ceramic Capacitor

C3_______________1nF   63V Polyester or ceramic Capacitor

C4,C7___________47µF   50V Electrolytic Capacitors

C5,C6__________100µF   50V Electrolytic Capacitors

 

Q1,Q2_________BC550C   45V 100mA Low noise High gain NPN Transistors

Q3____________BC556    65V 100mA PNP Transistor

Q4____________BC546    65V 100mA NPN Transistor


Tone Control Module circuit diagram:

Modular Audio Preamplifier Tone Control Module

Parts:

R1,R7___________47K   1/4W Resistors

R2_____________220K   1/4W Resistor

R3______________18K   1/4W Resistor

R4_____________330R   1/4W Resistor

R5______________39K   1/4W Resistor

R6______________56R   1/4W Resistor

R8_____________150R   1/4W Resistor

R9______________10K   1/4W Resistor

R10,R16__________6K8  1/4W Resistors

R11,R12________100R   1/4W Resistors

R13____________100K   1/4W Resistor

R14______________1K5  1/4W Resistor

R15,R21,R22______4K7  1/4W Resistors

R17,R24,R26______8K2  1/4W Resistors

R18______________3K3  1/4W Resistor

R19______________1K   1/4W Resistor

R20____________470R   1/4W Resistor

R23,R25_________12K   1/4W Resistors

R27,R28__________4K7  1/4W Resistors

 

C1_____________220nF   63V Polyester Capacitor

C2_______________1nF   63V Polyester or ceramic Capacitor

C3,C6___________47µF   50V Electrolytic Capacitors

C4,C5__________100µF   50V Electrolytic Capacitors

C7______________10nF   63V Polyester Capacitor

C8,C9__________100nF   63V Polyester Capacitors

 

Q1,Q2_________BC550C   45V 100mA Low noise High gain NPN Transistors

Q3____________BC556    65V 100mA PNP Transistor

Q4____________BC546    65V 100mA NPN Transistor

SW1,SW2_______2 poles 6 ways Rotary Switches

Simpler, alternative Tone Control parts:

P1______________22K   Linear Potentiometer

P2______________47K   Linear Potentiometer

 

R29,R30________470R   1/4W Resistors

R31,R32__________4K7  1/4W Resistors

 

C10_____________10nF   63V Polyester Capacitor

C11,C12________100nF   63V Polyester Capacitors

Początek formularza

 

Dół formularza

http://www.redcircuits.com/ModPreTone.GIF

Comments:

To complement the 60 Watt MosFet Audio Amplifier a High Quality Preamplifier design was necessary. A discrete components topology, using + and - 24V supply rails was chosen, keeping the transistor count to the minimum, but still allowing low noise, very low distortion and high input overload margin. Obviously, the modules forming this preamplifier can be used in different combinations and drive different power amplifiers, provided the following stages present a reasonably high input impedance (i.e. higher than 10KOhm).

Main Module:

If a Tone Control facility is not needed, the Preamplifier will be formed by the Main Module only. Its input will be connected to some sort of changeover switch, in order to allow several audio reproduction devices to be connected, e.g. CD player, Tuner, Tape Recorder, iPod, MiniDisc etc. The total amount and type of inputs is left to the choice of the home constructor.
The output of the Main Module will be connected to a 22K Log. potentiometer (dual gang if a stereo preamp was planned). The central and ground leads of this potentiometer must be connected to the power amplifier input.

Tone Control Module:

This Module employs an unusual topology, still maintaining the basic op-amp circuitry of the Main Module with a few changes in resistor values.
A special feature of this circuit is the use of six ways switches instead of the more common potentiometers: in this way, precise "tone flat" setting, or preset dB steps in bass and treble boost or cut can be obtained. Tone Control switches also allow a more precise channel matching when a stereo configuration is used, avoiding the frequent poor alignment accuracy presented by common ganged potentiometers.
Six ways (two poles for stereo) rotary switches were chosen for this purpose as easily available. This dictated the unusual "asymmetrical" configuration of three positions for boost, one for flat and two for cut. This choice was based on the fact that tone controls are used in practice more for frequency boosting than for cutting purposes. In any case, +5dB +10dB and +15dB of bass boost and -3dB and -10dB of bass cut were provided. Treble boost was also set to +5dB +10dB and +15dB and treble cut to -3.5dB and -9dB.
Those wishing to use common potentiometers in the usual way for Tone Controls may use the circuit shown enclosed in the dashed box (bottom-right of the Tone Control Module circuit diagram) to replace switched controls.
The Tone Control Module should usually be placed after the Main Input Module, and the volume control inserted between the Tone Control Module output and the power amplifier input. Alternatively, the volume control can also be placed between Main Input Module and Tone Control Module, at will. Furthermore, the position of these two modules can be also interchanged.

Power supply:

The preamplifier must be feed by a dual-rail, +24 and -24V 50mA dc power supply. This is easily achieved by using a 48V 3VA center-tapped mains transformer, a 100V 1A bridge rectifier and a couple of 2200µF 50V smoothing capacitors. To these components two 24V IC regulators must be added: a 7824 (or 78L24) for the positive rail and a 7924 (or 79L24) for the negative one.
The diagram of such a power supply is the same of that used in the Headphone Amplifier, but the voltages of the secondary winding of the transformer, smoothing capacitors and IC regulators must be uprated. Alternatively, the dc voltage can be directly derived from the dc supply rails of the power amplifier, provided that both 24V regulators are added.

Note:

·         If this preamplifier is used as a separate, stand-alone device, thus requiring a cable connection to the power amplifier, some kind of output short-circuit protection is needed, due to possible shorts caused by incorrect plugging. The simplest solution is to wire a 3K3 1/4W resistor in series to the output capacitor of the last module (i.e. the module having its output connected to the preamp main output socket).


Technical data:

Main Module Input sensitivity:

250mV RMS for 1V RMS output

Tone Control Module Input sensitivity:

1V RMS for 1V RMS output

Maximum output voltage:

13.4V RMS into 100K load, 11.3V RMS into 22K load, 8.8V RMS into 10K load

Frequency response:

flat from 20Hz to 20KHz

Total harmonic distortion @ 1KHz:

1V RMS 0.002% 5V RMS 0.003% 7V RMS 0.003%

Total harmonic distortion @10KHz:

1V RMS 0.003% 5V RMS 0.008% 7V RMS 0.01%


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