2006 May - The New Europe.pdf - Architectural Design Magazine - 39 Issues from 2005 - 2011 (AD Magazine Art) - hilakku

The New Europe

4 Architectural Design

Backlist Titles

Volume 74 No. 6

ISBN 0470090944

Volume 75 No. 1

ISBN 0470090928

Volume 75 No. 2

ISBN 047001136X

Volume 75 No. 3

ISBN 0470093285

Volume 75 No. 4

ISBN 0470090936

Volume 75 No. 5

ISBN 0470014679

Volume 75 No. 6

ISBN 0470024186

Volume 76 No. 1

ISBN 047001623X

Volume 76 No. 2

ISBN 0470015292

Individual backlist issues of 4 are available for purchase

at £22.99. To order and subscribe for 2006 see page 128.

4 Architectural Design

Forthcoming Titles 2006

July/August 2006, Proﬁle No 182

Programming Cultures: Art and Architecture in the Age of Software

Guest-edited by Mike Silver

An exploration of the relationship between software engineering and the various disciplines that benefit

from new tools, this title of 3, which was inspired by a Symposium at the Pratt Institute in New York,

focuses on how artists and architects are writing new codes to solve visualisation and data-processing

problems. It extends the potential of programming for architecture far beyond the scope of popular,

appropriated systems such as Form-Z, Maya and 3D Studio MAX . Programming is advocated as a discipline

central to the development of design and a key to unlocking new ways of working rather than as a mere

service to generative design and construction. Programming Cultures features the work of seminal figures

such as Frank Gehry, Greg Lynn and John Fraser. It also presents the important new work of emerging

young designers like Casey Reas, Evan Douglis and Mike Silver.

Programming Cultures:

Art + Architecture in the Age of Software

September/October 2006, Profile No 183

Collective Intelligence in Design

Guest-edited by Christopher Hight and Chris Perry

Exploring how today’s most compelling design is emerging from new forms of collaborative practice and

modes of collective intelligence, this title of 3 engages two predominant phenomena: design’s relation-

ship with new information and telecommunications technologies and new economies of globalisation.

With the shift from the second machine age to the age of information, the network has replaced the

assembly line as a pre-eminent model of organisation. With this shift has come the introduction of

numerous alternative modes of social, economic and political organisation in the form of peer-to-peer

networks and open-source communities. This has radically altered conventional models of collective

invention, and has challenged received notions of individual authorship and agency, questioning the way

in which traditional disciplines organise themselves. Such reorganisation is apparent within architectur-

al practice, as well as within its participation in a greater cultural context of increasing interdisciplinari-

ty. For the design disciplines, this includes the emergence of new forms of collective intelligence in a

number of different fields including architecture, software and interaction design, fashion, typography

and product design.

Collective Intelligence in Design includes contributions from: Servo, EAR Studio, the Radical Software

Group, United Architects, biothing, Continuum (working with the Smart Geometry Group and Bentley

Systems), Hernan Diaz-Alonso and Benjamin Bratton, Gehry Technologies (working with the AA / DRL ) and

MIT ’s Media Lab. Additionally, the issue features essays from a diverse pool of academics and designers,

including Brett Steele, Branden Hookway, Alexander Galloway and Eugene Thacker, and Michael Hensel,

as well as an extensive interview with Michael Hardt, co-author of two important and influential books on

contemporary issues of globalisation, Empire and Multitude: War and Democracy in the Age of Empire.

Collective

Intelligence

in Design

November/December 2006, Profile No 184

Architextiles

Guest-edited by Mark Garcia

This issue of 3 explores the intersections between architectural and textile design. Focusing on the possi-

bilities for contemporary architectural and urban design, it examines the generative set of concepts,

forms, patterns, materials, processes, technologies and practices that are driving the proliferation of this

multidisciplinary design hybrid. Architextiles represents a transition stage in the reorientation of spatial

design towards a more networked, dynamic, interactive, multifunctional and communicative state. The

paradigms of fashion and textile design, with their unique, accelerated aesthetics and ability to embody a

burgeoning, composite and complex range of properties such as lightness, flow, flexibility, surface com-

plexity and movement, have a natural affinity with architecture's shifts towards a more liquid state. The

preoccupation with textiles in architecture challenges traditional perceptions and practices in interior,

architectural, urban, landscape, and fashion design. Interweaving new designs and speculative projects on

the future, Architextiles brings together architects, designers, engineers, technologists, theorists and mate-

rials researchers to unravel these new methodologies of fabricating space. This title features the work of

Will Alsop, Nigel Coates, Robert Kronenburg, Dominique Perrault, Lars Spuybroek and Ushida Findlay. As

well as contributions from Bradley Quinn, Dagmar Richter, Peter Testa and Matilda McQuaid, it encom-

passes new projects and writings from young and emerging designers and theorists.

The New Europe

Architectural Design

May/June 2006

Guest-edited by

Valentina Croci

ISBN-13 9780470018392

ISBN-10 0470018399

Profile No 181

Vol 76 No 3

Editorial Offices

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Abbreviated positions

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pp 100-103 © Beisheim Center; pp 104-107

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117 © Paul Warchol; pp 114-115 © Julian

Olivas; pp 118-121 © Hélène Binet; pp 122-

123 © Bruce Stewart; p 125 © Jonny

Muirhead; 126 © John Zerning; p 127 © John

Frazer.

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p 5 © Hisao Suzuki; pp 6-11 © Villa Manin. All

images taken from ‘Instant Europe’ exhibition

at the Villa Manin Centre for Contemporary

Art, Codroipo (UD), Italy, 12 December 2004

to 1 May 2005; p 12 © A Malecos; p 13(l)

Christos Hadjichristos; pp 13(r), 15(b) & 16-19

Architects; p 15(t) © Christos Papantoniou; p

19(br) © Christos Hadjichristos; pp 20-25 ©

from Latvijas architectùra magazine, courtesy

Janis Lejnieks; p 26 © Svatopluk Sladecek,

photo Rudolf Cervenka; pp 27, 31(b) & 33

courtesy ARCH magazine; pp 28(l), 31(t), 32

Projekt, revue slovenskej architektúry; p 29(t)

courtesy Society of Czechoslovak Architects;

p 29(b) © Zlaty rez Publishers, Prague; p 30

Fotostudio; p 35 © Dezso Ekler, photo

Meszaros Istvan; p 37 © Tamas Bujnowszky;

p 38(l) © Attila Glazer; p 38(r) © Josef Hajdu;

p 39 © Istvan Benyei; pp 40-45 © Andrej

Hrausky; pp 46 & 64 © Arne Maasik; pp 47-

48, 50 & 52-53 © Kaido Haagen; p 49 © Mark

Raidpere; pp 54-55 & 61 © Polish Baltic

Philharmonic, photos Jan Nowak; p 57 ©

Daniel Rumiancew; p 58 © Czuba Latoszek; p

59 © Trzcinski I Wspolnicy, photos Jan

Smaga; p 60 © Warsaw Rising Museum; pp

62 & 67(t) © Ott Kadarik; p 65 © Kalle

Veesaar; pp 66 & 67(b) © Kaido Haagen; pp

68, 74(l) & 75(t) © Audrys Karalius, photos

Gintaras Cesonis; p 70 © Audrys Karalius,

photos Tomas Lopata; pp 71, 72(t) & 73(b) ©

Audrys Karalius; pp 72(bl&br) & 73(t&c), 74(r)

& 75(b) © Audrys Karalius, photos Raimondas

Urbakavicius; pp 76-81 © Lino Bianco; pp 82-

84 & 89 © Krzysztof Ingarden; p 85 ©

Medusa Group, photo Juliusz Sokolowski; p

86(t) © Mackow Pracownia Projektowa, photo

Wojciech Krynski; pp 86(bl) & 87 (br) ©

Wojciech Krynski, KWK Promes architekci; p

87(bl) © KWK Promes architekci; p 88 ©

Biuro Projektow Lewicki Latak; pp 90-91 & 93

Arhitekti, photo B Zupan; p 94 © Rok

Klanjscek, photo Miran Kambic; p 95(t) © Ark

Arhitektura Krusec, photos Miran Kambic; p

95(b) © Nande Korpnik, photo Miran Kambic;

p 96(t) © Marusa Zorec, photos Joze

Suhadolnik; p 96(b) © Dekleva Gregoric

Arhitekti, photos Matevz Patnernoster; p 97 ©

Marjan Zupanc, photos Miran Kambic.

Editor

Helen Castle

[ISSN: 0003-8504]

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