2005 Mar - The 1970s is Here and Now.pdf - Architectural Design Magazine - 39 Issues from 2005 - 2011 (AD Magazine Art) - hilakku

The 1970s is

Here and Now

4 Architectural Design Individual backlist issues of 2 are available

for purchase at £22.50.

Property

Development

Club

Culture

Progressive

Architecture:

The New

Alliance

Volume 73 No. 5

ISBN 0470858311

Volume 73 No. 6

ISBN 0470862157

Volume 74 No. 1

ISBN 0470862149

Extreme Sites:

the ‘Greening’ of Brownfield

Emergence:

The Challenge of

Evolutionary

Design Strategies

Suburbia

Volume 74 No. 2

ISBN 0470867094

Volume 74 No. 3

ISBN 0470866888

Volume 74 No. 4

ISBN 047086687X

Back to

School

4d space :

Interactive Architecture

Volume 74 No. 5

ISBN 0470870753

Volume 74 No. 6

ISBN 0470090944

Volume 75 No. 1

ISBN 0470870753

Architectural Design

Vol 75 No 2 March/April 2005

ISBN 047001136X

Profile No 174

Editorial Offices

International House

Ealing Broadway Centre

London W5 5DB

T: +44 (0)20 8326 3800

F: +44 (0)20 8326 3801

E: architecturaldesign@wiley.co.uk

Abbreviated positions:

b=bottom, c=centre, l=left, r=right

Front cover illustration: © John Walter.

pp 6, 7, 8(t&br), 9(bl&bc) © Will McLean; p 8(bl)

Paul Purgas; p 9(c) © Tim Lucas/Price & Myers

3D Engineering; p 9(br) © Howard Barlow; p

10(tl) courtesy Dunlop Transcalm, photo Chris

Logan; p 10(tr) courtesy Worldwide Project

Consortium; p 10(b) © Arup; p 11 © Nolle IUT

GmbH; p 17(t&b) © Samantha Hardingham; p

17(c) © Archigram Archive; pp 20–7 © Nicholas

Lister; pp 28-33 courtesy James Madge; p 35

(top 7 images) courtesy John Frazer; p 35 (c) ©

David Greene; p 35 (bl) © Julia Frazer; p 35(br)

©Suha Bekki, courtesy Archigram Archive; p 36

courtesy John Frazer; pp 37-43 © John Frazer;

pp 44-7 © S333 Architecture & Urbanism; pp

48–9 © Peter de Kan; pp 51–2 © Gutierrez +

Portefaix; p 53 © Lou Linwei/Sinopix; p 55 ©

Richard Jones/Sinopix; pp 56–7 © Jason Lowe;

pp 58–9 © muf architecture/art; pp 60–65 © Nic

Clear; p 66 © Neil Spiller; p 68 © Violette

Cornelius; p 69 © Jon Goodbun; p 70 courtesy

Richard Cochrane; p 72 © Richard Rogers

Partnership/Eamon O’Mahony; p 73(t) © Antony

Turner; p 73(c&b) courtesy Robert Webb; p 74,

75(t), 76–7 © Robert Webb/XCO2; p 75(c&b) ©

Niall McLaughlin Architects; pp 78–81 © John

Vincent, photos John Vincent and Flora

Gardens; pp 82–7 © Collection FRAC Centre,

Orléans, France; pp 88–9 © Marion Clayfield

and David De Sousa; p 90(t) © Maggie Smith; p

90(bl&r) © Gary Doherty; p 91© Peter

Aaron/Esto; p 92(t) © Victoria Watson; p 92(bl)

2004; p 93(b) © Miki Inamura; p 95 © bceeg.

PP 98–100 © Frederick Charles; pp 101–02 ©

Bevk Perovic arhitekti, photo B Zupan; pp 103 &

105 (bottom 3 images) © Bevk Perovic arhitek

ti, photos M Paternoster; p 105 (top 3 images) ©

Bevk Perovic arhitekti, photos M Kambic; pp

106-07 © Bevk Perovic arhitekti; pp 108–13 ©

HLT A/S; pp 114–17 © Archer Architects; pp

118–19, 120(t&c), 121(r) & 122(t) © realities:

united, Berlin, 2003; p 120(b) © Landesmuseum

Joanneum, Graz, 2003; pp 121(l) & 122(b) ©

Harry Schiffer, Graz, 2003; pp 123–4 courtesy

Lonsdale; p 125 © Martin Charles.

Editor

Helen Castle

Editorial and Design Management

Mariangela Palazzi-Williams

Art Direction/Design

Christian Küsters (CHK Design)

Design Assistant

Hannah Dumphy (CHK Design)

Project Coordinator

and Picture Editor

Caroline Ellerby

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01243 843272

Editorial Board

Will Alsop, Denise Bratton, Adriaan

Beukers, André Chaszar, Peter

Cook, Teddy Cruz, Max Fordham,

Massimiliano Fuksas, Edwin

Heathcote, Anthony Hunt, Charles

Jencks, Jan Kaplicky, Robert

Maxwell, Jayne Merkel, Monica

Pidgeon, Antoine Predock,

Michael Rotondi, Leon van Schaik,

Ken Yeang

Contributing Editors

André Chaszar

Craig Kellogg

Jeremy Melvin

Jayne Merkel

98+

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108+

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Editorial Helen Castle

Introduction Samantha Hardingham

ACosmorama of Now Will McLean

A Memory of Possibilities Samantha Hardingham

Out-in-the-Open University Nick Lister

The Agora at Dronten James Madge

Computing Without Computers John Frazer

Planning Tools Chris Moller

The Info-Urbanisation of China Tim Jachna

It’s All About Getting What You Want Liza Fior, Katherine Clarke and Sophie Handler

I love CAD Nic Clear

On Surrealism and Architecture Jon Goodbun + David Cunningham

Sustaining Technology Robert Webb

Hmmmm Gardening: Some Comments on Garden Style and False Economy Jon Vincent

Active Narratives Marie-Ange Brayer

Thinkorama

Guest-edited by Samantha Hardingham

98+

101+

Interior Eye: Theatre Underground Craig Kellogg

Practice Profile: Bevk Perovic arhitekti Valentina Croci

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123+

125+

Building Profile: Opera House, Copenhagen Jeremy Melvin

Home Run: Soho Court, London Bruce Stewart

Engineering Exegesis: Case Study: BIX André Chaszar

Site Lines: Bubble Bar Howard Watson

Philip Webb: Pioneer of Arts & Crafts Architecture Sheila Kirk

Arose-tinted, nostalgic approximation of 1970s culture is piped

to us through television, fashion retail and glossy magazines:

whether TV favourites such as ‘Morecambe and Wise’ or ‘The

Magic Roundabout’, or the replication of curvy, orange and shag-

pile interiors. In its exaggerations, this evocation of everything

1970s veers between stereotypes of all things hippyish and

joyfully lurid. Our lens is often so misted up with this retro-mania

that it is difficult to remember what the inheritance of that

decade really was for architecture and design, in terms of ideas

and thinking. What Samantha Hardingham, the guest-editor

of this issue, has so insightfully done is to revive the spirit and

modus operandi of 2 in that era. (Her method comes out of

an intimate knowledge and affection for 2 during this decade,

which was furthered by research into the work of Cedric Price,

completed with him just before his death.) By pulling together

patchworks of current information and views, Hardingham has

worked – albeit with the aid of the Internet, Word and email – just

as Monica Pidgeon and her technical editors might have done in

the first half of the decade. She has triumphantly revived Peter

Murray’s and Cedric Price’s Cosmorama! Thus the 1970s becomes

a film, or filter, by which we view the present. This brings into

focus just how many of the major architectural preoccupations

remain the same, even if the content has shifted rapidly –

architectural form, technique and surface appearance having

moved on with great alacrity in the ensuing decades. For

architecture’s obsessions with technology, information and the

environment were first prefigured in the pages of Pidgeon’s 2

magazine of the late 1960s and early 1970s. The seemingly random

manner in which this was also compiled, dictated by the printer’s

grid, also foreshadowed the Web; the spontaneity of the issues

belying the rigorous and thoroughly dynamic, curating and

editing process. (Hardingham describes in her essay how Pidgeon

discovered a printer in Middlesbrough who was able to print

in colour in a single afternoon.) Just as John Frazer states in

his article that 2’s raison d’être in the 1970s was the coming

together of advancing technology and comment – the same,

I hope, could also be said of 2 today.

2005 Mar - The 1970s is Here and Now.pdf

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