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blues_bass
TAGS & TURNAROUNDS
A couple of features that have come into widespread use in playing the blues are "tags" and "turnarounds."
TAGS
A tag is simply a section, generally four bars, that’s repeated in order to prolong the blues, often to build excitement prior
to the ending. In a live situation, tags can sometimes go on practically forever. Singers and instrumentalists alike use tags
all the time.
A typical performance (live or recorded) will adhere to the following sequence of events:
1. Introduction
2. Melody (played or sung)
3. Solos (generally the longest section, especially if it’s a large band)
4. Repetition of melody
5. Ending
As a bass player, you need to be on your toes, watching (and listening!), especially after the reprise of the melody. If there
is a tag, it’s going to be just before the ending. Sometimes there’s just no telling how long it will last. You need to be
alert here, too, because you never know when the leader or singer will be ready to end the song. (Sometimes you may
even wonder if they’ll ever be ready!)
Here are a few tags to give you an idea of how they are used. The first four bars in each of the following selections
represent the last four bars of a twelve-bar blues, in other words, measures 9-12. The tag section is played an indefinite
number of times. See if you can get a friend to play the chords on guitar or keyboard so you can jam along. Make sure
you play them in different keys, too.
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TURNAROUNDS
A turnaround is a device that provides harmonic movement in order to make the music more interesting. Its most
practical application is at the end of a twelve-bar blues (bars 11 and 12), where playing only one or two chords could
sound, shall we say, "uninspiring" (though there are plenty of cases where it works just fine, and is even preferable). In
those instances where the music just needs something else to move it along, a turnaround perpetuates that harmonic
movement, keeping the interest level high for the player and listener alike. A turnaround is actually a progression of
chords that leads the music, harmonically, to the next section, usually the top of the form. * It is this function that gives
the turnaround its name. Here are some examples of turnarounds.
Remember : no matter how long a blues lasts, almost invariably, it is made up of the same twelve-bar form repeated over
and over again.
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This lesson is from:
Blues Bass ( Bass Builders)
by Jon Liebman.
The best single source for learning to play the blues for bass! Styles covered include:
Delta blues, Texas blues, New Orleans blues, West Coast blues, Chicago blues, boogie
woogie blues, jazz blues, and more. Also covers 12-bar blues, 8-bar blues, 24-bar
blues, minor blues, tags & turnarounds, 12/8 feel, swing, shuffle, jazz, pop, slow
blues, funk blues and R&B.
The CD includes 74 full-band tracks.
Inventory # HL 695235. Book/CD pack $17.95 (US).
www.fenderplayersclub.com
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