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My Kind of
Afternoon
I spent my Saturday
watching movies. I know,
how rare for me to be watch-
ing licks instead of debating
the merits of our current ad-
ministration or reading Mo-
liere. Instead, I picked up a
documentary and a ilm that
pretended to be a documen-
tary.
The legit doc was
Stacey Peralta’s Dogtown &
Z-Boys, all about the early
days of modern skateboarding. it’s a great
documentary, especially for a guy who loved
skateboarding videos when he was young. I
had watched it before and this time, I was
more carefully watching for technique and
visual clues that might be useful for my
documentary.
Then there was the second ilm. This
was called Incident at Loch Ness. Now, y’all
now that I’m a nut when it comes to cryp-
tozoological and supernatural stuff, so this
was a natural for me. I love mockumentary
ilmmaking. It started with Spinal Tap,
though others have been just as success-
ful, like Meet The Ruttles, Best In Show and
even The Blair Witch Project. Incident at
Loch Ness follows all of these in its methods,
but it plays the ield between legitimacy and
comedy with a deft turn of the shoulder at
exactly the right moment.
Werner Herzog is one of those guys
that ilm school geeks love to talk about.
There are many legends, like his direction
of Klaus Kinski in Aguirre: The Wrath of
God where, story goes, he directed Kinski
with a gun pointed at him. He’s also done
some other ilms that make him seem like
a mad man, including Fitzcarraldo where
he insisted that a riverboat be carried up
a mountain. Some would say that he has
an over-abundance of dedication to the bit.
Supposedly, Herzog is directing a ilm called
Enigma at Loch Ness while having John Bai-
ley (a HUGELY respected cinematographer)
ilming a documentary on his life called Her-
zog in Wonderland.
Producing the Loch Ness ilm is Zak
Penn. To give you a good idea of the type of
guy Penn is, take me, shave my head, give
me a little talent, a lot of connections and
a little bit extra chutzpah. He’s a wheeler
and dealer and doesn’t seem to have a care
in the world about legitimacy. My type of
guy. In reality, he’s actually the director of
Incident at Loch Ness, which is strange, but
understandable. It’s that type of movie.
The cast is mostly composed of actual
working ilmmaking types. The guy playing
the soundman is a working, Oscar-winning
soundman. The Cinematographer is a big
name cinematographer. It’s a great piece of
business if you’re trying to make your fake
doc seem legit, though the look of the ilm
is never on the level of documentaries.
The Blair Witch Project did that better
than anything else as it all seemed
liek it was exactly done like a
documentary shot by college
kids. This was clean and
steady and well-built,
all things that
modern docs
don’t seem to
be.
I’ve
FromChristopherJ.Garcia
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learned enough
about ilmmaking
to know that as bad
as things get for the
crew, they actually
go far better than for
most crews. There
are petty arguments:
Herzog wants to make
a simple doc about the
myth of Loch Ness and
Penn really wants to
do a big budget action
piece. The sound guy
can’t work on the boat because the engine
is too loud, so the producer strongarms
the Captain of the boat to put in a smaller
and quieter motor. Penn even hires an
actress/model, Kitana Baker of the Miller
Light Catight Commercials, to be their
sonar operator. Much of the comedy comes
from the conlicts between these two, though
there are other bits that are great.
As they get out on to the Loch, things
start to get weird. Zak has told his cam-
era man that he plans to do some effects as
‘Recreations’, something which Herzog re-
ally doesn’t want to do. But things start to
happen and Zak keeps claiming that he has
nothign to do with it. This is where things
get interesting and the plot starts to roll
along.
I thought the cast was really great.
Herzog is uber-serious adn with that voice,
you can’t help but enjoy him. Penn is
probably the weakest, as he’s perfect as
the coniving bastard
producer (Ghod, how
I miss that role!), but
there’s always a hint
of a smile behind
everything he does as
it relates to the weird
things that are going
on around the boat.
Michael Karnow, as
the cryptozoologist, isi
hilarious and made
me want to strangle
him at the same time as laughing my head
off at the stupid things he said. This plays
into the story very well as we roll along.
Shockingly, Kitana Baker may
have been the best actor in the ilm. Her
presence adds a strange comedy to Penn’s
vision and her scene where she legitimately
goes down to a bikini and jumps into the
freezing, black, peat-heavy water of Loch
Ness shows the lengths she’ll go to for her
craft. She also is the one that makes all
the strangeness around the boat seem
legitimate. With her reactions to the dark
movements
and strange
humps in
the water, we
wouldn’t have
a reaction
that we would
understand.
She’s
surprisingly good at playing real emotion,
even though they give her one of the lamest
things in the entire script by having her
say that she was hired to play the sonar
operator, so she studied up on actual sonar
and did well enough to actually operate the
sonar on the boat!
I’d say that Incident at Loch Ness is
worth your time and a little bit of money. I
bought it, I love Herzog, and I’m glad I did.
It would make an good triple feature: open
with The Last Broadcast, go on to Incident
at Loch Ness and close with 2001’s Session
9 starring David Caruso. That would be a
nice way to spend an afternoon and evening.
Karnow and Herzog
Kitana Baker preparing to jump into the Loch
Zak Penn Turns the Tables on Herzog
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Art Bell: My Hero
Bringing up Loch Ness made me think
o fthe guy who I respect so damn much that
I once said I’d name a child after him. Art
Bell is a radio personality whose show Coast
to Coast was a favourite of mine for a long
time in the early part of this decade. He’s
had his ups and downs, but he’s always
been my favourite radio guy.
Art is best known for being the
one who will tackle everything from
conspiracy theory to UFOs to ghosts to
those mysterious Shadow People. He’s also
a well-known HAM Radio operator and a
collector of antique radio equipment. He’s
headquartered out of Parump, Nevada,
where he supposedly broadcasts out of his
trailer. I’ve never quite believed that, but it
seems that it’s true.
Art started out young, about 13, as
a radio guy, using a homemade HAM set
to connect with folks. He later went on
to start a pirate radio station while in the
army. This station, which could have easily
got him in big trouble, played rock ‘n roll all
night. He later was the main disk jockey
on an English-language radion station in
Okinawa. He set the record for longest DJ
run with 116 hours and ifteen minutes. He
did more radion stuff in Asia and Alaska,
but he eventually ended up in getting an all-
night radio gig out of Las Vegas’ KDWN for
Chancellor Broadcasting. That’s where he
gained a huge national following.
Sometime he has strange guests on.
What am I talking about? He ALWAYS has
strange guests on. He has brought Hollow
Earth folks on to talk about the Snake
People and Tiny Earth people to talk about
the Cosmic Giant. In 2001 and 2002, a
called brought up the concept of Shadow
People, strange moving patches of darkness
and the Art Bell show took off, with
hundreds of reports from around the world,
opening up a whole new area of paranormal
study. His shows from that period are some
of the best he’s ever done.
He has some classic reoccuring shows,
like his annual All-Ghost Story episodes,
which have produced some of the greatest
tales radio has ever heard.
The strange thing is, I’m never quite
sure if Art believes in the stuff, or if he just
has an open enough mind to not block
anything out of the sphere of possibilities
and present it as potential fact. It’s that
sense of respect, even when it’s obvious that
he’s not sold on something, that I highly
enjoy.
Still, everyone who has been on an
episode is cool in my book. David Icke,
who I consider to be the greatest nut of the
New Century, was on not long ago and Art
even made him sound respectable. That’s
incredible! When the whole Segway thing
happened, Art was the irst guy to get the
goods.
Yeah, he’s that good.
12 pt. Courier New by Jay Crasdan
Chris loves Art Bell. So
does M. I don’t get it. He’s just
a crazy guy and a fraud and they
eat up everything he says. I will
admit, the guy has a great voice,
but really, I’ll never understand.
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His Name is Charlie
Kaufman
might just get Charlie Kaufman.
He had been writing ilm scripts all
along, though he couldn’t get anything sold.
He wrote one about a poet in Paris that
actually sounded great. He was a terrible
poet, but he didn’t know that to be the
case. It never got made, though the script
is circulating on the internet, even as we
speak.
Charlie started to write a script about
a guy who falls in love with a woman who
is not his wife. That’s the seed of the script
that made him famous. He started to hang
odd little bits around the premise, like a
hundred year-old boss, a main character
who is a puppeteer and a guy named
Malkovich. This led to the Spike Jonez ilm
Being John Malkovich, which got Charlie
an Oscar nomination and a lot of respect. It
also led Charlie to have to follow it up with
something great.
And he did three great things right in
a row. Human Nature, a ilm which much
of the world hated but I found impossible
to not watch. Rhys Ifan is brilliant, as is
Patricia Arquette. That was followed by a
ilm called Adaptation.
Adaptation is perhaps the most
important ilm for screenwriters of the last
I love movies. I always have. I like to
think that if The Drink Tank says anything
about me it’s that I worship at the gates of
ilm and science iction, often at the same
time. It’s not the ilm that I regularly watch
that keep me coming back for more, it’s the
off products that come along the conveyor
belt of Hollywood that keep me watching.
There is a man who causes more of those
factory irregulars than anyone else. His
name is Charlie Kaufman.
Charlie Kaufman started off his
writing career doing the struggling thing.
He wrote for the National Lampoon, he
worked for a Minneapolis Newspaper, he
even moved to LA without a job or even a
prospect for a job. It was that move that
did it for him, actually, much in the same
way that my move to Boston with nothign
lined up and found the job that I’ve held
now for almost 7 years. He eventually was
asked to move back to Minneapolis, but he
instead got a gig writing for the Chris Elliot
Fox-TV programme Get A Life. The show,
in it’s second season, was on its way to
cancellation, but Kaufman
put soem really weird stuff
out there and that started
him writing regularly for
sitcoms. He worked on
a lot of second seasons,
including shows like
Ned & Stacy (I think he
wrote the Mr. Belvedear
Episode) and The Dana
Carvey Show. The latter
proved to be a ratings
success, briely, but it also
got heat from censors and
sponsors for it’s content
and comedy methods. He
wasn’t well-known, even
in the TV ield, but if you
wanted a quirky writer
and you knew enough to
sell something to Fox, you
decade. It’s brutal honesty
about how Hollywood
works, combined with it’s
genius humor, made it the
best script of 2002. He
got another Oscar Nom,
and that was followed
by Confessions of a
Dangerous Mind, based on
Chuck Barris’ book.
In 2004, Michel
Gondry made Eternal
Sunshine of a Spotless
Mind, which Charlie wrote
and won the Oscar for.
It’s the single best piece
of subtle SF ever made.
Witty, heart-warming/
breaking and fun, it’s a
delightful ilm that proves
Kaufman is the Greatest.
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They’ll Turn
Anything
into a Bed +
Breakfast These
Days!
Fall River, Massachusetts is famous for two
things: being the birthplace of Celebrity Chef Emeril
Lagasse and the site of the Lizzie Borden Murders. In
fact, it’s far better known for the latter than the former.
I’m planning a visit to MA for my friend Janice’s
wedding (Fall 2006) and I wanted to see about inding
a nice place to stay. I found the website for the Lizzie
Borden B+B and knew that I had to stay there. It also
made me think long and hard.
No matter how romanticized
the place has become, it was still
once a murder scene, and even if
Lizzie didn’t do it, it’s kinda gross
to think of staying a night in a place
which is based on her life and around
the savage deaths of two human beings. Still, the
place is quaint, and from what I understand, the place
is supposed to be haunted (for more about my love of
haunted places, read The Drink Tank issue 31).
Back about 1999, I got very much into reading
up on the Borden murders. There’s a lot of evidence
both ways, that Lizzie did it (She hated her step-
mother and killing her father may have seemed like
the only way to keep him from inding out the truth to
incest theories that represent pent-up rage exploding
through) and far less in the way of Lizzie being
innocent. There’a also the possibility that the Maid
did it, and I’ve seen a very good presentation on that
very concept.
I’m not sure how I’d feel about supporting a
place that sells itself as being the home of a famous
murder. There are other places that do the same thing,
but this one gets to me the most. I’ve heard of plans
for a tour company to open up regular tours of all the
People’s Temple locations, including round-trip airfare
so you can see the Jonestown site. These leave me a
bit queezy.
So, I might, or might not, stay at the Lizzie
Borden Bed & Breakfast. If I can ind a nice place for
less money, I’ll stay there instead.
Strange E-Mails from M
Lloyd
Lately, I’ve been getting great emails
from M. I should say that I’ve been getting
great email subjects from M as she has left
the messages blank. Here are a few of my
favourites.
- Dancing the Tango to Memories of
Pamplona
- My Side of That Vietnam Story
_The Devil is in the Details, and That
Sucks
- The Location of the Nazi Gold
-I’d Read Plokta, then copy everything
they do!
- Anyone here afriad of Virginia
Woolfe? Didn’t think so.
- You’re a Vice-President? Damn, I
wish I was there to mock you for it.
My New Favourite Burger
I like coming up with burger concepts,
and this one is a new favourite. It’s kinda
rigorous, but trust me, it’s delicious. I call it
the HamDog!
First, lightly sweat some inely diced
shallots and garlic. Just a clove or two,
and use butter. Save the butter, and add
the shallots to lean ground beef, a bit of
salt, pepper, a touch of cumin, a pinch
each of celery and fennel seed, a bit of inely
chopped parsley, a half of the shot-glass
sized Tomato Paste can, bread crumbs and a
bit of honey. This is a kinda middle-eastern
burger.
Next take one string cheese. Roll it
in a combination of chili lakes, or if you’d
prefer something milder, onion or garlic
lakes. Make a narrow meat trough, about
twice the size of the string cheese. Lay the
cheese on top of that and put more meat on
top to form a hamburger sausage.
Brush a sausage with a bit of the
butter from the garlic and shallots and
lightly grill. Assemble and enjoy!
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