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Modern Spanish Lyrics
MODERN SPANISH
LYRICS
EDITED WITH INTRODUCTION, NOTES AND
VOCABULARY
BY
ELIJAH CLARENCE HILLS, PH. D., LITT.D.
Professor of Romance Languages in Colorado College
AND
S. GRISWOLD MORLEY, PH. D.
University of Colorado
NEW YORK
HENRY HOLT AND COMPANY
1913
iii
PREFACE
The present volume aims to furnish American students of Spanish with a convenient selection of the
Castilian lyrics best adapted to class reading. It was the intention of the editors to include no poem which did
not possess distinct literary value. On the other hand, some of the most famous Spanish lyrics do not seem
apt to awaken the interest of the average student: it is for this reason that scholars will miss the names of
certain eminent poets of the siglo de oro . The nineteenth century, hardly inferior in merit and nearer to
present-day readers in thought and language, is much more fully represented. No apology is needed for the
inclusion of poems by Spanish-American writers, for they will bear comparison both in style and thought
with the best work from the mother Peninsula.
The Spanish poems are presented chronologically, according to the dates of their authors. The Spanish-
American poems are arranged according to countries and chronologically within those divisions. Omissions
are indicated by rows of dots and are due in all cases to the necessity of bringing the material within the
limits of a small volume. Three poems (the Fiesta de toros of Moratín, the Castellano leal of Rivas and the
Leyenda of Zorrilla) are more narrative than lyric. The romances iv selected are the most lyrical of their kind.
A few songs have been added to illustrate the relation of poetry to music.
The editors have been constantly in consultation in all parts of the work, but the preparation of the Prosody ,
the Notes (including articles on Spanish-American literature) and the part of the Introduction dealing with the
nineteenth century, was undertaken by Mr. Hills, while Mr. Morley had in charge the Introduction prior to
1800, and the Vocabulary . Aid has been received from many sources. Special thanks are due to Professor
J.D.M. Ford and Dr. A.F. Whittem of Harvard University, Don Ricardo Palma of Peru, Don Rubén Darío of
Nicaragua, Don Rufino Blanco-Fombona of Venezuela, Professor Carlos Bransby of the University of
California, and Dr. Alfred Coester of Brooklyn, N.Y.
E.C.H.
S.G.M.
v
CONTENTS
I. Spanish Lyric Poetry to 1800
II. Spanish Lyric Poetry of the Nineteenth Century
III. Spanish Versification
Abenámar
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Fonte-frida
El conde Arnaldos
La constancia
El amante desdichado
El prisionero
VINCENTE (GIL) (1470-1540?)
Canción
Letrilla (que llevaba por registro en su breviario)
Vida retirada
Á Cristo crucificado
VEGA (LOPE DE) (1562-1635)
Canción de la Virgen
Mañana
Epístola satírica al conde de Olivares
Letrilla satírica
Cantilena: De un pajarillo
"Estas que fueron pompa y alegría,"
Consejo de Crespo á su hijo
El murciélago alevoso
1715868.002.png
vi
Fiesta de toros en Madrid
Á Arnesto
Rosana en los fuegos
Oda á España, después de la revolución de marzo
SOLÍS (DIONISIO) (1774-1834)
La pregunta de la niña
El Dos de Mayo
El nido
RIVAS (DUQUE DE) (1791-1865)
Un castellano leal
"Sé más feliz que yo"
Canción del pirata
Á la patria
ZORRILLA (JOSÉ) (1817-1893)
Oriental
Indecisión
La fuente
1715868.003.png
Á buen juez, mejor testigo
Cantos de pájaro
La perejilera
SELGAS (JOSÉ) (1821-1882)
La modestia
El Mont-Blanc
El secreto
Rimas: II
VII
LIII
LXXIII
vii
En Noche-Buena
CAMPOAMOR (RAMÓN DE) (1817-1901)
Proximidad del bien
¡Quién supiera escribir!
El mayor castigo
¡Excelsior!
Tristezas
¡Sursum Corda!
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