00. The Dark Knight Rises - Original Motion Picture Soundtrack (Deluxe Version) (CD) [2012].pdf - The Dark Knight Rises - Original Motion Picture Soundtrack (Deluxe Version) (CD) [FLAC, 24-bit, 192kHz] [2012](1) - bannnann

There is one musical contribution to The Dark Knight Rises that clearly demonstrates the

importance of Hans Zimmer as a creative collaborator. It explains why, eight years ago, as a irst

time tentpole ilmmaker, I so needed his help with reinventing Batman. A fresh musical approach

was going to be a key component, but beyond that I needed the help of a master- someone who

had faced such huge odds and emerged unscathed. For me Hans Zimmer was the sound of

contemporary movies and I was delighted when he agreed to talk about the project. I was less

delighted with his initial thoughts - why make the music heroic? Why not play the tragedy and

nobility of the tale, like an Elgar concerto? Fear provided a couple reasons right away, but then I

started to learn the method to Hans’ madness... an unerring ability to hone in on the one thought

that cracks a project open. The darkly romantic, lush score, with its strangely minimalist core

that he and James Newton Howard labored over with such passion brought new ways of tapping

emotion and pathos within the context of relentless action. The sound was fresh, distinctive and

has been mercilessly plundered by every action movie (or at least their trailers) since 2005.

amongst others- Hans sets creative goals for a project higher than you ever thought possible or

practical. He took the same approach with The Dark Knight Rises , crafting a magniicent and totally

unexpected suite for our new villain as we were just starting to shoot. Hans pinpointed our prison

world as the seed of an evil spreading across the world, and we were able to incorporate that notion

into the shooting of the sequences, leaning more and more on the signiicance of the sound of evil

rising. Here you see the essence of Hans’ approach. He is not playing along - his greatest thinking

is not even done to picture - Hans sees through the screen to the dark beating heart of the story and

is faithful to that and only that.

But this is not the contribution to which I was referring.

The musical contribution in The Dark Knight Rises that most clearly demonstrates Hans’ importance

as a creative collaborator is not to be found on this record. He did not write a note of it. It is a

hinge point of the entire ilm and it is the lonely fragile voice of a boy singing the National Anthem

at the center of a massive, crowded football stadium. While we were considering how to stage

this sequence I called Hans to ask what big draw artists we might convince to do a star spangled

cameo. He threw out a few ideas, trying to get into the spirit of the thing. Then called me back a few

minutes later, gently suggesting I might be betraying the spirit of our endeavor. He told me to make

the most instinctive and unconscious connection with the lonely boy at the genesis of our story.

It was the sort of priceless contribution that gives you goosebumps and reveals your dangerous

dependence on a collaborator. I told him I’d think about it.

The score for Batman Begins dominated the direction of blockbuster movie music for everyone

except Hans, who, when we came to revisit Gotham, insisted on moving in a completely different

direction for the crazed, tortured sound of the Joker, and refused to let us put in our favorite cues

from the irst ilm, insisting on pushing further towards a destination that only he could hear.

Hans has sometimes been accused (not within earshot) of taking the long way round, but what

I’ve seen over the last eight years is that you have to take the long way round to ind the new

sound, the new approach. I have never worked with someone so dedicated to the idea that the

real risk is in playing it safe. Hans taught me that you have to pull aggressively in the wrong

direction to discover the possibilities- and that without discovering the possibilities you can never

do anything exceptional. Together with his team of extraordinary collaborators, Lorne and Mel

CHRISTOPHER NOLAN

June 1, 2012

MuSIc coMPoSEd ANd ArrANGEd By: HANS ZIMMER

ScorE coordINATor: ANdREw ZACk

MuSIc PrEPArATIoN: BOOkER wHITE

AddITIoNAL MuSIc By: LORNE BALfE ANd TOM HOLkENBORG

uK MuSIc LIBrArIAN: JILL STREATER, GLOBAL MuSIC SERvICE

AMBIENT MuSIc dESIGN: MEL wESSON

ScorE rEcordEd AT: AIR LyNdHuRST, LONdON uk

AddITIoNAL ArrANGEMENTS:

ScorE rEcordEd By: GEOff fOSTER

ANdREw kAwCZyNSkI, JASHA kLEBE, STEvE MAZZARO ANd RAMIN dJAwAdI

ASSISTANT ENGINEErS: AdAM MILLER, LAuRENCE ANSLOw ANd JOHN PRESTAGE

ALBuM ProducEd By: STEPHEN LIPSON

orcHESTrA coNducTEd By: GAvIN GREENAwAy ANd MATT duNkLEy

ALBuM co-ProducEd By: CHRIS NOLAN, ALEx GIBSON ANd HANS ZIMMER

BooTH rEAdEr: THOMAS fARNON

MuSIc ProducTIoN SErVIcES: STEvEN kOfSky

orcHESTrA LEAdEr: PERRy MONTAGuE-MASON

SoLo cELLo: ANTHONy PLEETH ANd MARTIN TILLMAN

PrINcIPAL VIoLA: PETER LALE

SoLo VIoLIN: ANN MARIE CALHOuN

PrINcIPAL BASS: MARy SCuLLy

SyNTH ProGrAMMING: HOwARd SCARR ANd HANS ZIMMER

PErcuSSIoN: PAuL CLAvIS, GARy kETTEL ANd fRANk RICOTTI

SuPErVISING MuSIc EdITor: ALEx GIBSON

PrINcIPAL HorN: RICHARd wATkINS

MuSIc EdITor: RyAN RuBIN

PrINcIPAL TroMBoNE: RICHARd EdwARdS

TEcHNIcAL coNSuLTANT: CHuCk CHOI

PrINcIPAL TuBA: OwEN SLAdE

dIGITAL INSTruMENT dESIGN: MARk wHERRy

SyNTHESIZErS: HANS ZIMMER

SAMPLE dEVELoPMENT: SAM ESTES, MICHAEL HOBE ANd CLAudIuS BRüSE

GLoBAL cHANT LEAdEr: CJ SINGH

SuPErVISING orcHESTrATor: BRuCE L. fOwLER

cHoIr Boy: THOMAS JESTy

orcHESTrATorS:

ScorE MIxEd By: STEPHEN LIPSON, ALAN MEyERSON ANd dANIEL kRESCO

wALTER fOwLER

ScorE MIxEd AT: REMOTE CONTROL PROduCTIONS, SANTA MONICA, CA

kEvIN kASkA

ASSISTANT ENGINEErS: SATOSHI NOGuCHI, LORI CASTRO ANd CHRISTIAN wENGER

yvONNE SuZETTE MORIARTy

ALBuM MASTErEd By: PAT SuLLIvAN Of BERNIE GRuNdMAN MASTERING

RICk GIOvINAZZO

STudIo MANAGEr For rEMoTE coNTroL ProducTIoNS: CZARINA RuSSELL

ELIZABETH fINCH

CARL RydLuNd

ExEcuTIVE IN cHArGE oF MuSIc For WArNEr BroS. PIcTurES: PAuL BROuCEk

ANdREw kINNEy

ExEcuTIVE IN cHArGE oF MuSIc For WATErToWEr: JASON LINN

GEOff STRAdLING

ArT dIrEcTIoN: SANdEEP SRIRAM

Ed NEuMEISTER

MuSIc BuSINESS AFFAIrS ExEcuTIVE: LISA MARGOLIS

orcHESTrA coNTrAcTor: ISOBEL GRIffITHS

ASSISTANT orcHESTrA coNTrAcTor: CHARLOTTE MATTHEwS

PuBLISHEd By WArNEr-oLIVE MuSIc LLc (AScAP)

ExTRA SPECIAL THANkS TO JAMES NEwTON HOwARd.

HANS ZIMMER wOuLd LIkE TO THANk:

cHrISToPHEr NoLAN, EMMA THoMAS, JordAN GoLdBErG, cHArLES roVEN,

JEFF roBINoV, THoMAS TuLL, LEE SMITH, WALLy PFISTEr, dAVId HALL, rIcHArd KING,

GAry rIZZo, GrEGG LANdAKEr, PAuL BroucEK, SuE KroLL, MIcHAEL TrITTEr,

JoHN LIMPErT, JASoN LINN, SANdEEP SrIrAM, MIcHAEL BrEIdENBrücKEr,

BoNNIE ABAuNZA, BrENdyN AdAMS, MAdELENE ALBrIGHT, dAN ALoNI,

ryELANd ALLISoN, MAx AruJ, PETEr ASHEr, BoB BAdAMI, JoSEPH BILLE,

TIFFANy BordENAVE, Ed BuLLEr, ALISoN BurToN ANd THE STAFF AT AIr STudIoS,

cANdAcE cArLo, LorI cASTro, LouISA, PHILINA, NINo, ISABELLE ANd ANdrEAS cErdAN,

roNNI cHASEN, cHucK cHoI, PAuL cLAVIS, LELANd cox, dEAdMAu5, rAMIN dJAWAdI,

SHEILA E., ArIEL EMANuEL, SAM ESTES, ANToNy GENN, JAMES, TrISH ANd MAx GoLFAr,

PETEr GorGES, urS HEcKMANN, MIcHAEL HEIN, AxEL HENSoN, MIcHAEL HoBE,

ELIZABETH ANd MArTIN HoLdGATE JoErG HuETTNEr, STEFAN HuNd, HENry JAcKMAN,

GErT JALASS, PAuL KELLETT, KAI KrAuSE, cHAZ LABrEcquE, JAMES S. LEVINE,

KEN MAcBETH, cHrISTINA MANSKy, LISA MArGoLIS, NILS MoNTAN, GIorGIo MorodEr,

SEBASTIEN NAJANd, AMoS NEWMAN, rIcH NEVINS, BrENdAN ANd cHrISTINA NoLAN,

FLorA, rory, oLIVEr ANd MAGNuS NoLAN, ryAN oucHIdA, KATHy ANd STEPHEN PAINE,

WoLFGANG PALM, HEITor PErEIrA, KyLE quIBELAN, A. r. rAHMAN,

cArLoS MENdoZA roHdE, LEE roSSIGNoL, JEFF SANdErSoN,

AdAM ScHMIdT, JAcoB SHEA, SHALINI SINGH, PETEr SNELL,

NoAH SoroTA, ANdrEAS STELLING, cHrIS STroNG, roBErT THoMAS,

BoBBy THorNBurG, HELGE ToPKA, HELGE VoGT, roBErT WEIL,

ErIc WHITAcrE, PHArrELL WILLIAMS, JuNKIE xL,

BrIGITTE ZIMMEr, Zoë ZIMMEr, JAKE, ANNABEL, MAx ANd SuZANNE ZIMMEr.

THANkS TO:

PETEr AxELrAd, rocco cArroZZA, cJ coyNE, dAN coyNE, JoE KArA, KEVIN KErTES,

Ny LEE, KrIS LITTLE, NIGEL Mccorry, GENEVIEVE MorrIS, JoHN F.x. WALSH, roBErT ZIcK

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